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This episode of The Scene on the Unseen is brought to you by Intel.
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In 1890, Lucy Jervis, the wife of Lord Harris, the governor of Bombay, challenged her husband to a game of cricket.
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It took place in the Hill Resort of Mahabaleshwar.
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Jervis, or Lady Harris, led a team of 13 women, while her husband's team had the usual 11 men.
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A magazine called Cricket carried this account from a correspondent.
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Quote, We are all feeling quite exhausted with laughing.
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The ladies were most dreadfully in earnest, but so nervous.
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Every run, every ball led to a comical situation.
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Their nervousness at running, the way they met in the middle of each wicket and consulted as to whether it was safe to go on,
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and finally each would run back to her own wicket, the way they threw themselves on the ball in fielding
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and had to make a search in their petticoats for it.
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Even at this distance, the condescension, the patronising tone makes me so mad.
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And that's not just a 19th century tone.
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You hear it around you today in private drawing rooms and public social media, where women's cricket is looked upon as a curiosity.
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In recent times, though, there have been stirrings of change.
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The excerpt I read out is from a superb book called The Fire Burns Blue,
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a history of women's cricket in India by Karunya Keshav and the late Siddhant Patnaik.
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And my guest today is someone who's been part of this journey of women's cricket,
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both as someone who played for India and as someone who has written with great insight and eloquence about the game.
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And she's thrown herself headlong into another movement that I care a lot about,
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the one that's happening in the creator economy.
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Can someone really be part of two revolutions in one lifetime?
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Welcome to The Seen and the Unseen, our weekly podcast on economics, politics and behavioural science.
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Please welcome your host, Amit Verma.
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Welcome to The Seen and the Unseen.
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My guest today is Snehal Pradhan, who has been a fast bowler for the Indian team,
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a cricket journalist, a TV commentator, a radio commentator in multiple languages, a YouTuber,
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and someone who teaches both how to play cricket and how to do multimedia sports journalism.
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She may do many things, but she's not a dabbler.
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She's one of the best cricket writers in the game today, and in fact a true all-rounder.
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Her reportage can be vivid and evocative. Her opinion pieces are always clear and incisive.
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Very few people can do both so well.
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Her understanding of cricket, her mastery of the craft of writing,
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and most of all, her work ethic and willingness to learn new forms, like YouTubing, is crazy.
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I'm a Snehal Pradhan fanboy and was delighted when she agreed to come on this show.
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Before we begin this conversation though, let's take a quick commercial break.
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One of the unseen forces behind this everyday magic is the sponsor of this episode, Intel.
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Srengal, welcome to The Scene in the Unseen.
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Thank you for having me, Amit.
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While going through the videos on your excellent cricket coaching channel on YouTube,
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I came across one that intimidated me a hell of a lot,
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which was what, you know, a day in your life doing commentary in the IPL.
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And in that you were doing two commentary stints in a day,
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one in English for a test match and one in Marathi for the IPL.
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And then I, you know, went through your newsletter posts
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and your very first newsletter post said that I am writing this on a day,
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I am doing two commentary stints.
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And I was like, my God, what's kind of happening here?
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And you've really, in a sense, that's almost a mirror of your life
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because it feels so rich to me at, you know, just kind of reading about you
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and looking at all the work that you've done in all these different fields.
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But I want to kind of start before any of that kicks in.
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Take me back to your childhood, growing up.
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Where did you grow up? How did you get drawn to sports?
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So, firstly, very kind of you to say that.
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Nice to hear, you know, what the life looks like from the outside in.
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Growing up, born and brought up in Pune,
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we used to live in a joint family where I was born
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and spent the first eight years of my life.
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So, very lucky to have the kind of upbringing that allowed us both space
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in terms of physical space.
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We had, our family had a bungalow where it was my grandparents,
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paternal grandparents, my grandfather's mother,
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and my family as in dad, mom, my brother and myself,
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my uncle's family and all of us kind of living in the same joint family setup.
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We had a bungalow with a little bit of a garden at the back.
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There was a small outhouse which was converted into an office
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for my grandparents and my dad's work.
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And there was this lovely society.
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It's a bungalow society which was originally constructed for refugees
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who came over from Pakistan, Sindhi refugees.
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So, it had this beautiful garden called an oval garden.
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It was an oval garden where we used to have a lot of space to cycle.
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That's where I learned to cycle.
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That's where I played cricket, found some empty space,
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found a few boys playing and I joined in.
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I used to pop over to my neighbour's place
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and she had a bunch of older cousins again, joint family and she was the only girl.
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Yeah, the only girl and then all the older cousins and they were always playing cricket
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and so she and I would join in.
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That's kind of been a theme whenever there's been a cricket match happening.
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Usually, almost, not usually, almost always boys
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and I would just join in as the only girl.
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I remember not being stopped by who was playing
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in terms of whether it was boys,
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so not being stopped by gender or not being stopped by class.
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I mean, as a small kid, I had no perception of that, I suppose.
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The servants kids were playing, I was playing with them
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and then afterwards, I would bring them all home
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and they would sit and they would watch cable TV along with us,
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although they used to always sit a little off to the side like in the veranda.
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But that's a memory that I have and I played all sports as a kid.
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Soon, when I was like eight years old, into third standard, I shifted schools.
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It was one school where I was not so happy.
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We also moved out and started to live separately, my dad, mom and family.
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So therefore, we moved to another place, another home.
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There also pretty much every sport I used to play, table tennis, badminton.
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We didn't have much else,
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but there was always cricket happening on a Saturday morning on the field,
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It was all the school boys who would kind of just come over and play
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and I would just join those games.
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I would go there, be the only girl in those games.
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That was like completely normal for me.
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So it was in that sense, until that point at least,
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very sheltered, normal kind of a bringing.
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Exposure to sports was incidental,
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but my affinity to sports was probably something that was always there.
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My parents tell stories about, you know,
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since being able to walk and run, picking up something and swinging it around,
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probably influenced by what I was seeing on TV
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because someone born in the late 80s,
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growing up to cable television, Sachin Tendulkar, Desert Storm, all that.
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So, you know, you've described in another interview how
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your grandmother was both an MSc and someone who was into sports and all of that.
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And I guess being from Pune again,
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like I spent many years in Pune, you know, through college and all of that.
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My wife is from there. So I kind of have a sense of that culture where, you know,
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learning is venerated and one, learning is venerated.
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And two, another interesting thing about Pune, you know,
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in contrast to where I was born in the north,
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is that women are expected, it's completely normal,
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to go around and do things, to work for a living.
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You'll kind of see them everywhere,
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which is not as much the case in many other parts of the country.
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But given sort of these common factors of both,
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you know, that respect for education running in your family,
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because you mentioned when your grandmother got her MSc in the 50s,
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it was like pretty rare.
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And at the same time, the fact that, you know,
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sports was considered completely normal.
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What were your early aspirations like?
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Like as a kid growing up, what did you think you want to be,
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if you thought of that at all?
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I mean, I don't think kids should think too much of these things,
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just go through life and enjoy.
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But around what point did it become apparent to you that,
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hey, I am good at this cricket thing, that I can do this seriously?
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So, to give you a little bit of the family background
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from the education point of view or, you know,
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just in general what the situation was like,
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my grandparents, paternal grandparents,
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in the 1950s, yeah, 50s, had an inter-caste love marriage.
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My grandfather got a PhD in Marine Biology
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and my grandmother got an MSc in Marine Biology.
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Both of them met when they were researchers at the Tarapurwala Aquarium.
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They were both from Mumbai.
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And on my mother's side, my maternal grandmother,
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actually both my maternal grandparents were teachers.
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I never knew my maternal grandfather.
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He passed away when my mother was very young.
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But even his father, I believe, if I am getting this right,
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was like a Pali scholar and had some connection to Harvard.
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I think he had gone there, taught there, something like that.
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That is in the family history which I keep hearing about.
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So, yes, both my brothers are engineers.
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Both my brothers are educated in terms of, you know,
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one has an MBA, one has an MSc.
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And that's the culture.
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So, I am the odd one out. I am the sports person in the family.
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But very much the emphasis was on, you know,
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play as much as you want, sure,
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but you can do both and you should do both.
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And that was ingrained in me from a young age.
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So, I scored very well in my 10th and 12th.
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My grandfather had this deep desire
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and still yesterday we were chatting at night
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and he was like, not yet, you should do engineering.
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Still, you should go and do engineering.
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But at the time, I chose not to do engineering
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because just out of 12th and I had been playing cricket for a while
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and I will come back to that.
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But I didn't even give the CET.
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I think my batch was the first batch where they had that CET
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and I was so sure that I am not going to do engineering.
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Because I knew that I wanted to study something
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which would allow me to pursue cricket.
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Because by that time, I knew that I wanted to pursue cricket,
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who knows what it would lead to.
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In fact, I was just last week having a dinner with one of my mentors
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and she was recalling this incident
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where my grandmother...
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This is probably a good time to tell that story.
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How I fell into cricket is that, you know,
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after having played in these very informal setups,
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being the only girl, etc.,
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there was one time where I went to a cricket ground
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and the coach over there told me,
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okay, tie your hair inside your hat.
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I don't want people outside seeing that there is a girl here.
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And having done a little bit of that,
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so my grandmother luckily knew that women's cricket existed
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because in the same society that I had described before
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where we used to live together,
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a former India captain used to live
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and she knew of them because of having lived in the same society.
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And so this former India captain, Shubhangi Kulkarni,
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who is a veteran of, you know, not just in cricket
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but also in the administrative sense,
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my grandmother tracked her down,
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asked her, you know, okay, where can she practice?
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I think she went and met her, then sent me to meet her
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and then I got the guidance as to
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this is where the Maharashtra team practices in Pune.
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So I started going to Nero Stadium
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which is about 5-6 km from where I was staying.
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So every morning my dad would get up
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and drive me there and I would take a rickshaw back
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or something like that.
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Later on, I started cycling that distance
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to and fro sometimes twice a day.
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But one of the important points here is that
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it's so random that I discovered that women's cricket exists
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and there might be so many more talents
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who didn't get that opportunity at the right time.
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I was probably in 9th standard, 8th or 9th standard,
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having, you know, dabbled in all sports
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when I discovered this organized women's cricket.
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And I am physically gifted
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from the athletic point of view, you could say.
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I am 6 feet tall almost.
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Had the frame of an athlete, kind of.
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So immediately, despite wanting to,
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my aspirations, despite wanting to be a wicket keeper,
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God alone knows why, I was told,
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okay, you're nice and tall,
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take 20 steps and bowl.
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And that's how I kind of became a fast bowler.
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Even just thinking, going back to that,
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going even further back in time,
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I remember as a kid wanting to be an Air Force pilot.
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Thinking, wow, that's so cool, you know,
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fighter planes and all that.
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All those cartoons we were watching
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probably is the reason, you know,
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those SWAT cats and stuff that had
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really cool missiles and whatnot
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probably influenced more than anything else.
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Then went through a non-violent phase
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and said, no, no, I don't want to join the Air Force
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because it involves killing people and whatnot.
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God alone knows what I was watching
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and what influenced me for that.
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But cricket was kind of a constant.
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Around the 9th standard,
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I studied regularly playing for Maharashtra.
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Pretty much graduated from playing
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zero organized cricket to Maharashtra under 16s
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and Maharashtra senior and Maharashtra under 19s.
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Yeah, I think there's a helicopter
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but it won't show up on your tracks.
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It's just so random in Mumbai, a helicopter.
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Why can't we have helicopters? Carry on.
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I would not be surprised to hear trains,
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So that's how I kind of fell into organized cricket
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and I discovered that yes,
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this is something that I'm good enough at
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that I can play at the state level straight away.
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I mean, to be fair, the competition was very thin.
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The number of girls playing cricket,
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like we just pointed out, is accidental.
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How girls find cricket is accidental.
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So the number of girls actually playing cricket is really small.
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So most new kids on the block who came in
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would walk straight into a state team.
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But we had some really good seniors
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and they helped set up the journey.
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We're just talking about an era
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where we did everything ourselves
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and we just learned from our seniors,
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including rolling the pitch in the morning,
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staking out the nets, setting up the entire nets,
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paying the groundsmen a little bit
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to help us here and there.
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That was all done by us.
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And that was how the state team practiced in those days.
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which is just kind of mind-boggling to think back on now.
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I just finished reading
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The Fire Burns Blew the Excellent book
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by Karuna Keshav and Siddhant Patnaik on women's cricket.
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And there was this almost hard-to-believe kind of description
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of how in 1997, when the Women's World Cup happened in India,
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they actually had to shift the date of the final
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because there was a men's India versus New Zealand match on the same day.
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And therefore, Doordarshan won't have telecasted.
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Obviously, they would have telecasted the men's match.
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And so the date for the final had to be shifted.
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So I'm just curious because in those years,
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I don't remember getting to see any women's cricket on TV.
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It simply wasn't there in my consciousness at all.
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So all these years when, as a kid, you're learning to play
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and you're playing with the boys out there and all of that,
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and you're thinking of life in cricket perhaps,
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what are you actually looking ahead to?
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Because a male cricketer, he's surrounded by cricket.
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What are you actually looking at?
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Is it initially just a thing of,
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I love this sport, I want to do this and that's the only thing that drives you?
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Or then do you start thinking seriously about what is the route?
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What are my chances of making it?
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When I get there, what happens?
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Do you think about that stuff at all?
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Or how did that play out?
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So in terms of what are we kind of building up to,
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there was nothing concrete.
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We knew that an Indian team existed.
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We knew that you might get to play for India someday.
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That was a definite dream.
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A vague dream because we didn't really know how to play for India,
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besides doing well at the tournaments and whatnot.
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We had a few seniors around to kind of guide us
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and luckily we had a few seniors who were playing in the Indian team at that time.
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So they were kind of examples who we could look up to.
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Otherwise, the influence of men's cricket was always there.
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When we're turning on any kind of media, men's cricket is around.
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There was women's cricket in bits and pieces on TV.
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I remember very vividly that 2002 series
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where Jhulan Goswami made her debut.
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And seeing her, watching her bowl for the first time on TV
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really crystallized that dream.
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Okay, you're thinking I want to play for India.
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What does that look like?
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I want to open the bowling with Jhulan Goswami.
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That was how the dream was crystallized in my mind.
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What is that going to give me in terms of a career, a profession, anything like that?
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Absolutely no idea how to even ask that question.
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I'm not even sure whether that question could articulate itself in my mind at the time
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because still in my student years,
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so probably far away from kind of taking a decision on that front.
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The emphasis on kind of building education side by side was always there
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because there was this understanding that women's cricket does not pay you.
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Of course, at the state level, we were earning zero.
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At the India level, players who played for India were earning a little bit of money.
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This is, of course, pre-BCCI days.
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So women's cricket was administered by the Women's Cricket Association of India.
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And I'm sure you've read lots of stories in that book of how things used to be.
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But honestly, only people within the women's cricket circuit could see that,
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okay, this is the Indian team and have a vague idea.
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Okay, if you want to get there, you have to go through these tournaments, etc.
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And some of us were lucky enough to have seniors who were actually in the Indian team
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or role models like Jhuludi who, you know, I want to be like this.
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But like you said, in the public consciousness, the Indian women's team hardly existed,
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which is, I mean, a very different scenario from the 1970s and early 80s
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when the women's team was, you know, much larger.
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I won't say big, but a much larger part of the public consciousness and the public conversation.
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So it was kind of up to us to make our own road.
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We saw a vague destination and then we were kind of figuring it out on the way.
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Just for my listeners, Fire Burns Blue is an excellent book
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which talks about the journey of women's cricket from the 70s onwards when it really started.
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And what a lonely journey it was for so many people and, you know,
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the kind of struggles that people had to go through.
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So worth reading and just for perspective, like you said,
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the BCCI took over women's cricket in 2006 and things kind of changed after that,
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which we'll discuss also.
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The other thing that I'm curious about and I remember writing a piece long, long ago
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about how commentary, just television commentary, satellite television,
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changed the way a lot of young players understood the game and therefore grew
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because it was listening to commentary on satellite television in the early 90s,
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listening to international commentators, especially that you got a sense
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not just of nuances of strategy and tactics, but also the importance of fitness
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and the importance of different kinds of work ethic that kind of come into play,
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which would have at some level, you know, influenced a generation of players after that.
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And obviously there are many more reasons why people are so much fitter
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and so much more professional and all of that.
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But certainly the commentary helped.
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And in a sense, I see that turbocharged today, like in the kind of work that you do,
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I'm sure a lot of people learn tons of stuff from your commentary and your YouTube videos,
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not just because you're explicitly coaching stuff,
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but just talking about the nuances of the game is an education in itself for someone who's listening.
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So, you know, you mentioned elsewhere that in those growing up years,
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that listening to that TV commentary kind of made an impact to you.
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And you've also just said that you didn't have a coach when you kind of went early in.
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So what is that process of then learning to play the game like?
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Like at one level, of course, you learn by doing, you do something again and again
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and you kind of figure out what action works best for you and blah, blah, blah.
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But at another level, you have this realization from what you see of international cricket
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that there are methods and there is a way of thinking and all of that,
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but you don't actually have actual human guidance.
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So what was that process of learning about the game like for you?
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Because, you know, as much as it's absolutely true that the more you do something, the better you get at it.
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The fact is that if you want to move through that learning process fast, having a guide,
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having someone to accelerate that process for you is absolutely essential.
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In our early years, it was literally our seniors who taught us, you know, the one, two, three, fours of batting
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and what to think, how to kind of ask questions, how to get to know our own action.
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Why is this ball going wide? Think about it yourself.
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So that was a slow process because obviously these are players who, you know, are currently in the Indian team
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or just having been in the Indian team, they're focused on their own game.
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And it's complete generosity of time, effort that they are also passing on that knowledge to the younger generation,
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which is something which is ingrained in our culture, especially the cricket culture, the women's cricket culture.
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But it's, you know, limited in terms of it's not their job to do it.
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It's a coach's job to do it. And we didn't really have that structured coaching.
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We could watch on TV. I remember having a conversation with Shubhangi Gurukarni.
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I used to spend a lot of time sitting in the sunny sports shop.
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She runs a sports shop here in Pune, which is quite well known.
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And she is literally a cricketer's adda.
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There will at any point of the day be some former cricketer, current cricketer, either shopping or sitting there and chatting and talking about stuff.
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So I picked up a lot from there, picked up a lot from her advice, which is just watch the game closely.
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Sometimes more than the actual commentary, I learn from the actions that are happening on the field,
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because with commentary, you have to kind of be in the moment, immediately move from the previous ball to the next ball.
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Can't deep dive into what's happened, why it's happened, how you can make it happen for you.
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So it's more about just watching and trying to adapt that.
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I remember when we first got a sense of, you know, strong guidance in terms of one of the seniors who played for our team, Amrita Shinde,
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who's been another mentor of mine, when she came into the team and she wasn't playing for Maharashtra, she was playing for Air India for a few years.
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But when the BCCI took over and when Air India team disbanded because they didn't find a place in the domestic tournament, which mirrored the men's tournament,
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she came back and a few other senior players who were playing for Air India came back and she brought with her,
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I mean she just took upon herself to pass on this knowledge to us, again while side by side trying to resurrect her international career.
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And we probably, you know, contributed a lot that she was not able to focus on that, we were all troublesome teenagers.
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But she brought exposure to the international level firstly, she already played international cricket.
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She had been in a professional environment, Air India is a team which employed women's cricketers on a yearly contract basis.
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So they were basically not doing anything else, they were not studying, they were not side by side working any other jobs, they were playing cricket all the time.
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They had coaches, they had interaction with not just coaches but also the best of other international players
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because the Air India team at the time was Joolang Goswami, Anjum Chopra, Anju Jain, Karuna Jain, Jaya Sharma, no not Jaya Sharma, but you know all these kind of players.
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So that entire knowledge factory she brought back and revolutionized the kind of way we used to train, revolutionized the drills we used to do,
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just made us think in a very different way about how we should be approaching regular nets.
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And the result of our performance was outstanding, I mean in that first, I think in the first three years after the BCC I took over,
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Maharashtra reached three finals and yes, I mean it was great that we had three really good players coming back from Air India but it was the younger lot,
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it was my generation and we were like literally 19-20 year olds who were pushing and helping the state team perform.
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Because of this guidance that we were suddenly receiving, so how much of a difference it can make, you know you can watch as much as you want and absorb and try it out yourself
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but having someone being able to accelerate that process is just invaluable in cricket
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and which is why I mean coaching is something that I stress on a lot now in my current role
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but back then if you ask the moment when our cricket really transformed from you know kids who were just trying to figure it out
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to having someone who knew the ropes, show us the ropes, it was a big moment.
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Yeah, in fact you have a pretty moving video about how one of your regrets was that there were these three-four years
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where you know before she shifted back to playing for Maharashtra from Air India,
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where you kept thinking should I approach her for tips, should I take her help, should I try to train with her
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and you were just hesitant and you didn't do it and later you regretted it because you thought my god if I'd learnt all of this a little earlier.
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Can you give me some concrete examples of specific ways in which she sort of helped your cricket both in terms of the actual game itself
#
and also the mindset which you mentioned?
#
Yeah absolutely, so firstly in terms of our preparation, just the physical preparation was what she emphasised on so much
#
that we have to be at a level of fitness that allows us to perform otherwise you know the skill is just not going to come out.
#
So our net sessions were preceded by an hour of fielding and fitness drills and she would build fielding into our fitness drills.
#
Something she is very well known for is the ladder drill and that kind of became what our team was known for you know
#
the team that carries around the ladder and we were the only team that was doing it at the time.
#
Now you know it's just so common that shows how ahead of her time she was.
#
Just the extent to which she would push us in terms of our strength training, of course no gym, we had absolutely zero gym access.
#
It was just basic push-ups, squats, body weight training but the amount of repetitions that she made us do
#
we had never imagined that this much can happen and I remember watching her herself.
#
I mean she is this well known on the women's cricket circuit when she was playing as this incredibly fit cricketer.
#
Her fielding is really well known, her short catching in terms of close in catching, short leg silly point is really well known
#
and she was the kind of player who you know back in 2005-06 as a woman cricketer was able to do those push-up and clap.
#
You know the ones where you press down, you push up, you are in the air, you clap and then you come back and push down again.
#
She was able to do that and we were like oh my God how are you able to do that
#
and then she was trying to pass on the processes of you know how much you have to start, how many push-ups you have to do
#
and without actually telling us she was just building it into our warm-ups.
#
I remember the first tournament we had when we went to, first tournament we had under the BCCI auspices when she had joined the team.
#
We were travelling to Mumbai and the tournament was in Mumbai and during that bus journey everyone was sleeping, listening to music, chatting.
#
She was sitting at the back of the bus one by one calling each member of the team behind and telling them this is what your job is.
#
I remember having that conversation with her, she was like no variations, just bowl the ball in one place.
#
I was like okay and now it's so common, this is called role clarity which you know every T20 team talks about.
#
2006 we've never had this kind of role clarity before, it's just a half an hour team meeting where yes do your best and bowl here, bowl there.
#
What to do, what not to do, nothing like that.
#
So in terms of the mindset everyone was given a very clear specific role as this is what the expectations are.
#
So that setting of expectations and then measuring against those expectations was fantastic.
#
She would constantly keep reminding me about how fearsome I could be as a bowler because like I said,
#
very rare for women to be so tall and generate the kind of bounce that I did.
#
So she's like why are you bowling with a mid-off? You don't need a mid-off, you just put a fielder there in front of the batter's face and you bowl.
#
That's the kind of... and I was like how can I bowl without a mid-off?
#
I mean in my cricketing years, even towards the later half of my cricketing years,
#
I was this person with that hesitancy and that uncertainty was a part of my personality
#
and she was constantly reinforcing that this is something that you can overcome and kind of think bigger about yourself
#
and this is the potential that you have and we were slowly slowly slowly growing into the possibility that okay, she might be right.
#
That's kind of so mind-blowing and sounds so ahead of her time but where did she get all this rope from?
#
Because I'm assuming that when she came into sort of playing for the state and all that,
#
there were still no coaches around obviously because this was before your time.
#
So is this stuff that she started picking up when she got to the national team or playing internationally or is it just a remarkably smart
#
and enterprising person who figures it out from here and there?
#
She's going to hate me for talking so much about her and even saying that you should have her on your podcast
#
but she's this very reserved person, very private person and I actually don't even know whether I should be saying all this about her
#
but she is someone who learned a lot from observing others very quickly.
#
She was born in Kolhapur, moved to Pune because she was a talented cricketer at a very young age
#
and I remember her telling me that she spent, there was a camp at maybe Pune club or some other ground in Pune
#
where Frank Tyson had come down and he was training I think a bunch of boys
#
and she joined in and aced the fitness test, sometimes even beating the boys.
#
So she was always kind of exposing herself to these kind of environments where she will be able to pick up so many things.
#
I remember her and our other senior cricketers like Kalyani, Umrani, they were regularly training with Maharashtra Ranji cricketers,
#
the Rishikesh Kanet Kars who were based in Pune and therefore picking up a lot from them
#
and which is something which doesn't really happen and didn't really happen to my generation.
#
I had very little contact with the Ranji Trophy cricketers throughout my career.
#
I still haven't had much contact with the Ranji Trophy cricketers.
#
I have not set foot or played a game on the Maharashtra stadium at Gaunze just outside of Pune.
#
It was all kind of very separate in the BCCIA times but back then they took the initiative
#
and put themselves in these kind of situations where they know that they will learn and they will improve as cricketers
#
and so to that extent that's probably what I know of where she would pick up these things from.
#
Of course she has played international cricket, not like someone who is afraid to talk to the opposition, learn from them.
#
She picked up a lot when she went abroad and in fact people abroad used to watch her train and pick up a lot from her.
#
Like I said, she has always been the one who is in that kind of situation but always acing that situation.
#
But to find out really where she picked it up is a really good question and I should pick her brain about it at various points.
#
Yeah, I mean hope to see her on your show sometime actually since you do have a YouTube channel and you are right there in Pune.
#
You kind of mentioned a bit about how you could sometimes be diffident and lack confidence and all of that
#
and she told you that you have to be fearsome, you are a six foot fast bowler and all of that.
#
Do you think that that kind of approach that you take to the sport also then changes what you are outside the sport?
#
Like if you are finding yourself, finding increased confidence within the field and you are being fearsome as it were
#
and bowling bouncers and hitting people and all of that, which I presume all fast bowlers enjoy doing.
#
But did that also rub off then on the kind of person you are?
#
Because I just find that in any field, not just sort of sport but in absolutely any field,
#
the kind of work you do can often impact the kind of person you become.
#
Like even podcasts, I just find that having these long conversations has kind of changed me a little bit,
#
better listener, more empathetic, so on and so forth.
#
So is there something to that, not just from your own experience but kind of seeing people around you?
#
I think there is a little bit both ways.
#
My own experience has, I mean yes, playing sport and always being with the only girl and the boys
#
and never letting it kind of bother me, did probably contribute to the little bit of an extrovertness that I have
#
and the comfort of starting a conversation or being in a situation which might make other people nervous in that sense.
#
So in that sense, playing sport does help in terms of the person you are and the person you become.
#
But I mean there is this old adage in any sport that sports doesn't really build character, it reveals it.
#
So more than anything, I think it's the other way around.
#
I think the person you are contributes more to the kind of, this is my experience,
#
the person you are contributes more to the kind of athlete or the kind of sports person you become.
#
Because you can't, I mean sports is, the match is somewhere where it kind of reveals your true personality
#
and you can't fake it there when you are tired and there is no energy left in your body to put up a pretense.
#
The only reserves of energy you have are what are going to be used in doing whatever action you need to do.
#
There I think it shows who you really are and it's an opportunity for reflection and an opportunity to learn.
#
And for many years, I just went through sport without really actively learning
#
and without taking those opportunities to really reflect and really think.
#
Because like I said, there were a little bit of hesitancies in my personality despite on the outside being this super confident,
#
tall, extravertish kind of person who is happy to pick up any kind of conversations.
#
There are always some insecurities that you have, insecurities that you pick up,
#
which then kind of express themselves on the field.
#
Because more than anything, I think the person you are contributes in a big way to the athlete you become,
#
which is why having talent is not enough. Everyone says you have to have the right mindset for it, the right attitude for it.
#
I think that is a part or that is speaking to this aspect of the conversation where you have,
#
a person like me can be gifted physically, but my mindset, was it the best? No.
#
I mean, was it the best for a professional athlete? No.
#
Now looking back, I can be completely honest with myself. At the time, I hadn't really figured myself out.
#
In what way was your mindset not up to the task?
#
So growing up, there were a few insecurities which were coming out of my childhood.
#
There were a few body image insecurities which were kind of carrying forth onto the cricket field.
#
They were all rooted into the sense of, you know, am I good enough?
#
And rooted into the questions of self-worth.
#
So therefore, when there is a situation where you need to make the brave choice,
#
my internal dialogue was, am I good enough? And my internal dialogue was that of a doubt.
#
So like you mentioned the example of, you know, when I was hesitating where I could have, should have gone up, had a conversation,
#
maybe it would have helped my career, worse come to worse, it would have just, you know, been a, I would have had to hear a no.
#
In those moments, I hesitated, doubted myself that as a cricketer is kind of really, it can be fatal
#
because you're in a situation where you're, the team depends on you, you're in a situation where you have to perform a difficult task.
#
It's easy at the start, you know, and the going is good, the energy levels are high.
#
But should I bowl that slower ball now?
#
Oh, what if it gets hit?
#
Maybe I'll just stick to my regular stock ball.
#
Should I take a risk and play this shot?
#
Oh, but what if I get out?
#
Those are the kind of internal dialogues and internal doubts that can sometimes come across.
#
If you have those kind of insecurities and internal dialogues off the field, if you have those kind of things as a part of your personality, so to speak.
#
And sure, the process of going through those kind of things, it does help.
#
But in my opinion, that, and I say this now also to, you know, younger people in the field, whether it's in media or whether it's in sports,
#
is that your personal development is probably the biggest obstacle to your professional development.
#
And that is kind of my takeaway from the career that I had is that if I had, for example, my mindset towards professionalism,
#
just taking the plunge and being much more professional about how I saw it was difficult for me because maybe I was limiting myself with what I could be.
#
Like my mentors kept telling me, you can aim for this, you should aim for this.
#
In my mind, if there is a voice saying, can I, can I really, can I believe that?
#
And then only once you believe that, can you apply the steps required to kind of reach there.
#
So thinking back now, I mean, at the time I had zero idea, but thinking back now, I mean, hindsight is a wonderful thing.
#
That is something I would have encouraged a 20, 22 year old Snehal Pradhan to change.
#
I have a tangential question.
#
Like I used to play chess a little seriously in my teens.
#
And at one point, I think when I was 19, I just stopped because I realized I'm not good enough to be an Anand and anything else just kind of makes no sense.
#
But just looking back at those days, I realized that all my issues with why I wasn't able to take the next step were not talent issues, but temperament issues.
#
Again, similar things to what you've mentioned, impatience and always in a hurry and similar to those things.
#
Now, I wonder that if someone had actually, if an older me had sat down and told me these are your problems, this is how you need to get past it.
#
This is why it will stop you.
#
Whether I would have learned it all and you know, whether people just need to make their own mistakes and go through their own phases and you can't actually teach them.
#
Like on the one hand, I would imagine that having a mentor or having a coach can really help you because you don't make these mistakes you would otherwise have made.
#
But the other aspect of it is that these mistakes perhaps come from deep inside.
#
Perhaps they're part of your character and you just need to grow on your own.
#
Now, you're a coach where you're working with young people all the time and you're seeing kind of similar sort of tendency.
#
So, you know, would it be the case that like technical defects you can coach out of people, but just kind of the mentality and all of these other issues?
#
Is there a way for someone like you to accelerate the growing up process?
#
Because, you know, instilling say patience or discipline in someone is not just changing them as a sports person, but also changing them as a person in a sense.
#
Can that be accelerated?
#
What's your experience working with younger snails as I'm sure you do?
#
Yeah, that's an interesting question.
#
And like I had one student who I was working one on one with and I emphasised this a lot with her as, you know, a young teenage girl.
#
Naturally, there are definitely a lot of insecurities.
#
So I emphasised self-knowledge is one of the skills that we're trying to build here and that extends beyond cricket.
#
I want like, you know, some of the things that I'll say in coaching is that I want you to understand your body as to when your arm comes so far away from your head, then where the ball will go.
#
And when your body pivots so well, then where the ball will go.
#
I want you to understand those things about your body.
#
I want you to understand that, you know, when you're holding the bat in which exact position are you able to connect the ball well?
#
So that kind of self-knowledge, that technical self-knowledge is important, yes.
#
But I also encourage her to journal.
#
I also encourage her to kind of write down her thoughts.
#
I also encourage her to talk to her near and dear ones about the things that you might, you know, not usually talk to, to have those conversations.
#
And as someone who is providing that guidance, you can help, but it's absolutely true that everyone has their own journey, everyone has their own path.
#
I am 100% convinced that if you don't have this mentor in your life, that path takes a lot longer.
#
But even with the mentor in your life, they can't walk it for you.
#
You have to be the one.
#
But there are, for example, like when you talk about cricket, some exercises that you do which make it easier to perform technical actions.
#
Unless you're strong in your shoulders, you won't be able to rip the ball when you're bowling it at a certain speed.
#
So, similarly, some exercises that you do can help you in your personal growth.
#
Like, for example, things like meditation, disconnecting from your phone, social media, journaling.
#
These are exercises which aren't going to solve the problem for you, but hopefully give you either skills or insights for you to kind of solve and recognize those problems yourself.
#
So, as a coach, you can provide those structures and hope that those structures can develop into self-realization and self-knowledge for whoever you're working with.
#
And I mean, it's a process that we have to do ourselves, I mean, as coaches, constantly.
#
But like you said, it is up to the individual.
#
Some individuals will just pick it up faster.
#
Some individuals will take a lot of time with it.
#
I want to pick up on your mention of social media there.
#
Like, I imagine at the time you started playing, like you said, there weren't too many of you.
#
Today, I guess a pool of people wanting to play would be larger.
#
But at the same time, so are the distractions and so is the opportunity cost in terms of what else they could be doing with their time.
#
And, you know, there is Facebook, which I think today renamed itself to Metta, so I have to stop using that word.
#
Facebook many years ago did a study which they suppressed, which found that social media had a negative impact on the sort of the mental health of young teenage girls specifically.
#
And Jonathan Haidt on the episode of another show that I produced at one point elaborated a little bit on this and what studies have kind of found is that, you know,
#
people a decade and a half back thought that video games would be bad for boys,
#
but it turned out boys playing video games was perfectly fine because problem solving skills and all of that, it was OK for them.
#
But for the girls, the social media became a big problem because typically if you're a young adolescent or pre-adolescent girl,
#
you have girls hanging around being social, getting to know each other.
#
But social media made everything performative with all the pressures of looking your best on Instagram and Facebook and so on and so forth.
#
And that led to a rise in teenage depression and suicides in the US.
#
And it's something that's been spoken a lot about.
#
And the artist formerly known as Facebook, but now known as Metta, kind of apparently suppressed research that they had to that effect,
#
that it was correct that they're by confirming what a lot of people were saying.
#
So when you coach young people, do you feel that that is also a problem, that there are all these distractions?
#
Or does it mean that the people who've come to you for coaching in any case by a process of self-selection are the people who are the most driven anyway?
#
I would firstly say that I don't have enough sample size to answer this question because I usually coach on a one-on-one basis.
#
And if I'm in charge of a team of young girls or in a big academy, then it will probably give me a bigger picture.
#
Two, like you said, the students who do come to me are the ones who are serious.
#
They are the ones whose parents are ready to invest a significant amount of time driving them to and from wherever they are.
#
They're the ones whose parents are ready to invest fees.
#
So they're already convinced that this is something that they want to get serious about.
#
So when I tell them to stay off their phones at night or give them social media related advice, they're usually more likely to follow it.
#
In general, yes, social media definitely has thrown up, does throw up so many new challenges which we're kind of figuring out how to do.
#
I mean, even when I was playing, that is five, six years ago until I retired,
#
conversations on social media within the women's cricket circuit were quite common.
#
It is an oft-repeated fact in the women's cricket circuit that Alice Perry is not on any social media.
#
And she's there because she's at the level that she is at right now
#
because she has recognized that to get there requires a certain amount of focus, requires a certain amount of sacrifice, requires a certain amount of subtraction from your life.
#
And it's only now that she's achieved what she's achieved that she started an Instagram or a Twitter or whatever it is.
#
So that is something that does get repeated.
#
There is a general grumbling that the younger generation uses social media too much.
#
But I'm not close enough to this problem to kind of properly comment on it.
#
I mean, in my life, social media is also a huge distraction, but also a huge asset.
#
I mean, my entire brand, so to speak, has been built on social media.
#
I mean, I'm not the kind of player who played a hundred tests.
#
And therefore, I had to assert my credibility almost through my work on social media.
#
It's my playing career doesn't speak for itself.
#
So, yeah, it can work both ways.
#
But I recognize that, I mean, in my life, I spent too much time on Twitter.
#
In my life, I spent too much time on Twitter as well.
#
And I can also rationalize by saying that, no, listen, that's where I reach out to people and I'm connected with readers or listeners or whatever.
#
But at some level, that's kind of a cop-out.
#
Earlier, you mentioned the role of happenstance.
#
And I remember this line that really struck me from The Fire Burns Blue by Karuniya and Siddhyanth, which I'll read out.
#
It says, quote, if today's women's cricket is a community, it's because of Shantaranga Swami.
#
If it is competitive, it's because of Diana Adulji. Helping it take that vital step towards professionalism was a vision, efficiency and diplomacy of Shubhangi Kulkarni.
#
And again, it's happenstance that one of these three sort of pioneers who played such a big role was a big part of your life.
#
And you got to benefit from that and many other people kind of wouldn't have, which is great luck.
#
But also another stroke of luck that you've also had a recent video about was your parents in the sense that they were so supportive through everything.
#
And you just mentioned about how a lot of the kids who come to you, their parents are a big part of it.
#
They'll drive them there from far places and all of that.
#
And that can be a little bit of a double-edged sword, right?
#
On the one hand, you're passionate about something and it's great if your parents support you.
#
And they're not going the conventional way, saying, you know, do medical or engineering or MBA, but they support you.
#
That's great. But the flip side of that also is, as we've seen in the past, is that parents can sometimes push you too hard.
#
You know, they can kind of want to live vicariously through you and all of that.
#
And that can also be sort of a problem with kids.
#
So what are your thoughts on this?
#
Before answering that question, I must point out that I was lucky enough to spend a lot of time around not one, but two of those great pioneers.
#
Because when I was 21, I got employed with Western Railway.
#
The senior sports officer at Western Railway, the woman in charge of everything, not just cricket, but all sports,
#
was Diana Adelji, and who went on to play a huge role in cricket administration later.
#
And my God, what a force that woman is, really, not even was.
#
So lucky enough, like you said, that Happenstance had these two people who were kind of driving women's cricket forward in their own different way.
#
To come to the question about parents, it's definitely a thing that you have these parents who are a little too over-involved.
#
I luckily didn't. Like I said, my entire family is a family where education is fairly important.
#
My parents actually split up when I was about 13 or 14, but despite that, we still lived in the same building.
#
So they were still sharing the kind of responsibilities of making sure that my cricket is always taken care of.
#
That was never compromised on.
#
What has been probably, again, lucky for me is that since they didn't really have sporting aspirations of their own,
#
they never imposed their aspirations or their dreams on me and kind of let me take my own path.
#
Like I said, I joined Western Railway when I was 21, and at that point, I moved out of home.
#
I moved from Pune to Mumbai. Again, wonderful support from both my parents in that respect,
#
and the entire family, not just my father and my mother.
#
So I can't really speak for the people whose parents can be too overbearing with coaches or with children who I teach,
#
children who I work with. I kind of make it clear to the parents that you will drop the kid to training,
#
but then you are kind of out of bounds. After that, all yours.
#
But I don't want a parent coming and telling that, oh, she should do this, she should do that,
#
because she doesn't do this, she doesn't do that. I don't want that happening in my coaching.
#
So that's a line that I draw. I've been lucky that I've worked with parents that kind of understand that.
#
It's something that I drive through in my online coaching programs also.
#
I've now built an online coaching program which is designed specifically for parent-children combination.
#
So my target audience almost is these parents that you're talking about who want to invest 100 balls a day,
#
who want to bowl 1000 balls a day to their kid.
#
And almost they might be having cricketing aspirations of their own and they want to see their kids fulfil those.
#
I always try and convey that cricket is not everything. Please do other things, play other sports, read.
#
In a subtle way, I try to convey that there is more to life than cricket.
#
In fact, part of that online training program that I'm trying to build, I'm trying to build a series of educational programs on
#
what you can do, as in how you can get a job in cricket if you don't make it as a cricketer.
#
Because the fact is that 95%, 97%, 99% of people aren't going to make it as cricketers.
#
So how can you be as lucky as I was and you were able to stay connected to cricket as a part of your profession
#
even after actually quitting the game is something that I'm hoping to build out in the future.
#
So it's not something I actively talk about or it's not something I kind of try to shout through.
#
But in subtle ways, I try to just encourage them that this is also something you could do
#
and also make them aware that despite our best efforts, that dream may not be fulfilled.
#
When I was going through your website, one of the fascinating things was you have these separate buttons side by side
#
where one for children to click and one for parents to click if they want to learn, which is fascinating.
#
And also this aspect of figuring out stuff outside cricket, like CLRJM said, what do they of cricket know, who only cricket know.
#
I have another question for you because you mentioned Diana Adulji and what a remarkable woman she was.
#
This takes me back to a thought I had while recording my episode with Kavita Rao,
#
she's written this wonderful book on these women doctors of the 19th century.
#
And one of the things that struck me there was that just to be a woman doctor in the 19th century,
#
you had to be Prima Fasi absolutely remarkable because it wasn't just a question of the aptitude or the interest in the subject,
#
but you also had to have the massive will to make it through all the obstacles in your way.
#
Similarly, it strikes me that as far as these cricketing pioneers are concerned,
#
including the three people we just mentioned and the two people who've in a sense mentored you,
#
it strikes me that there is that intersection of great talent and great will that is very rare.
#
And in women's cricket you have to have that and in men's cricket you possibly don't.
#
Just by having great talent and being in the right place at the right time, you can make it to a fairly high level.
#
But in women's cricket with all the obstacles, deciding to stick with it,
#
deciding not to do any of the hundred other things that you can do,
#
it's kind of crazy. And is that something that you see still today?
#
I mean, I'm pretty sure it's true of the pioneers.
#
And also, you know, when you mentioned that, you know, Dan Adulji was a remarkable woman and all of that,
#
expand on that a little bit. I'd love to know.
#
So going to slightly disagree with you there is that even in men's cricket,
#
I don't think you can make it nowadays just because of the sheer volumes
#
and the competition that we have without both those great talent and great will.
#
But in terms of what is required at a pioneer stage, that's literally the job description of a pioneer, I suppose.
#
You know, whether it's in women's cricket or whether it's in the freedom struggle or any kind of field
#
where they're breaking glass ceilings.
#
I have this saying which I sadly have to agree with is that, you know,
#
people who break glass ceilings often have bloody fists.
#
And it's especially true, I think, of some of the pioneers of the women's cricket generation
#
because they gave up so much in terms of what they had to go through to simply play the sport that they loved.
#
I mean, I remember you would have read this in the book.
#
There's an incident where Shantaranga Swami was protesting against some mismanagement by the administration
#
and she was dropped. She was simply dropped from the team.
#
Similarly, Dan Adulji has pushed through so much to build up the legacy that the Indian Railways really has.
#
She is the first women's cricketer to be employed by railways and she's the start of that legacy
#
where she really put her name forward to a politician at the time saying that
#
my father is retiring from Western Railway.
#
I would like to take his place because there was this system of, you know, almost compensatory employment.
#
And she then just worked and worked and worked to have more and more cricketers employed.
#
So, like, you know, what we hear feminists say nowadays that if you get an opportunity,
#
you should do your best to make sure that that opportunity is also available to the next generation of women who come after you.
#
Before feminism really existed in the Indian consciousness, these women were doing it.
#
And at the time, great social cost because you are putting yourself almost as a villain in many cases
#
to fight the case of women's cricket against very often male-dominated situations.
#
And it's not going to be easy at all.
#
In terms of my own experience with Diana Mam, she was always this extremely senior figure
#
and I was just joining Western Railway in the early 20s.
#
What used to happen is that she was posted in the office at Churchgate.
#
Of course, that's the headquarters for Western Railway.
#
I was posted at Bombay Central, but one month of the year, we would all spend at Churchgate
#
where we were handling the railway recruitment drives.
#
The entire women's cricket team would kind of be recruited to just help out with that work.
#
And we would see her literally having phone calls constantly, having meetings constantly
#
to make sure that, you know, Western Railway remained the top railway in terms of sports,
#
whether it's berating some coach who has not done his job or whether it's making calls
#
to make sure that this team is being transported here in the best possible arrangements.
#
Western Railway always, she pushed for the best talent, the best kind of accommodation.
#
Whenever our inter-railway tournaments used to happen, she would always travel with us for inter-railway
#
because, I mean, we were her team.
#
If we didn't do well, then it was a matter of pride for her.
#
And nothing less than winning is acceptable, is the culture that she built out at Western Railway.
#
And there are some downsides to that culture.
#
But the expectations, the high expectations that were set was something that she did very rigorously.
#
And we had a kind of, there was an aura of fear usually around her
#
because you do not want to get on her bad side because you would be sitting in those offices
#
and of course, they're not like sealed glass cabins, which are soundproof.
#
I can just still imagine those thin walled Western Railway offices
#
where the upper sections of the high ceiling are just open
#
and everything that is being spoken inside is carrying out.
#
And you will hear her sometimes tearing into someone who has not performed as per expectations.
#
I mean, I remember once I picked up an injury which she wasn't very happy about
#
and oh my God, that was an uncomfortable conversation.
#
But also this fierce admiration for someone who you knew would kind of have your back
#
and make sure that you had the best in terms of coaching,
#
in terms of facilities available for the railways,
#
in terms of the kinds of leaves that we were able to get.
#
And to the extent that Western Railway was very often the envy of pretty much every other team
#
because we had someone fighting for us, someone in our corner.
#
So, I can imagine it's a great tragedy that we don't have records,
#
we don't have any kind of visual evidence of very little photos,
#
photographic evidence of some of these players in their prime.
#
And you look at them now when they're in their 50s and their 60s
#
and still they're so impressive.
#
And definitely as players, you would think, you know,
#
would have been very interesting to be in the same team as them.
#
It's really interesting to me that your first class cricket really,
#
the equivalent of first class cricket for women really started in the 70s,
#
but eventually Railways was like the dominant team
#
because it just employed all the best players.
#
So, it just tells you kind of the force of one woman in building an ecosystem
#
and what difference just one person can sometimes make.
#
I think they won 19 out of 20 tournaments or something like that
#
till a particular point in time.
#
Let's kind of get back to your sort of career now.
#
You're this young teenager, you go to the nets,
#
you want to be a wicket keeper, they make you a fast bowler,
#
you find out you're good at it.
#
And then Amrita Shinde joins in 2006 and that kind of helps you along.
#
And in 2008, you make your debut.
#
And eventually you're bowling alongside Jhulan Goswami.
#
I think in your first ODI, you took three wickets while she took two.
#
So, tell me a little bit about what that experience was like
#
actually playing for the national team.
#
So, let me build up a little bit to that in, you know,
#
recognising what led to that finally happening.
#
In terms of 2006, BCCI coming over,
#
we're playing on better grounds, better facilities,
#
all those kind of things.
#
We're no longer living in dormitories, no longer travelling unreserved.
#
Instead, we're travelling AC buses, planes
#
and living in twin sharing.
#
Oh my God, twin sharing is so cool.
#
At the same time, we're now exposed to a much higher standard of cricket
#
thanks to players who were playing for the likes of Air India,
#
coming back into the Maharashtra team.
#
That helped, you know, just make one step up.
#
2007, like I said, I joined Railways
#
and Western Railways was the strongest team on the circuit
#
playing in that environment where suddenly I'm not the meanest bowler on the pitch.
#
And, you know, there are batters who have, out of the top six batters,
#
four would have played for India.
#
And pitting myself against them also then accelerated my development.
#
And, of course, being in Western Railways
#
and having a little more structured training, etc.
#
And then the call came.
#
I mean, the whole process of, you know,
#
informing people of their selection is just so poorly managed in India.
#
I didn't expect to be picked for the series that I was picked for,
#
which was the Asia Cup in Sri Lanka in 2008.
#
We had had a camp before that.
#
But, you know, it wasn't really a breakthrough performance.
#
But obviously the selectors saw some talent.
#
They decided to take a chance on it.
#
I was at home, got a message from one of the players saying that,
#
Then suddenly, you know, the internet has made its appearance in life.
#
And I actually see my name there, which is really cool.
#
I had gotten a little bit of a taste of what it would be like
#
to receive kind of an India cap a few years earlier
#
when I had played for India under 21,
#
where we had gone to Pakistan.
#
But actually arriving there,
#
we're given this box a few days before our departure,
#
which at the time Nike was sponsoring the BCC.
#
I'm like still in Nike kit.
#
I've just like had a sports session this morning.
#
And there's this box of Nike packaging,
#
which we can take to our rooms and open.
#
And we're all going through it and we find our caps, our India caps.
#
There was no culture or no paddhat of cap presentation and all.
#
You know, you got your India cap, now wear it
#
and come onto the field was the kind of situation.
#
I remember the first training session we had in Sri Lanka.
#
I was so sick from some kind of food poisoning.
#
I was vomiting on the ground,
#
wasn't really able to practice at all,
#
almost blacking out and I was like,
#
oh shit, what a bad way to make a first impression.
#
And then finally stomach settled down, nerves settled down
#
That match that you're talking about wasn't actually my first match for India.
#
There was another match before that against Bangladesh,
#
but at the time Bangladesh didn't have ODI status.
#
So therefore it doesn't count as an official ODI.
#
It doesn't count as my first match,
#
but that was my first match against Bangladesh.
#
The second match was against Pakistan.
#
To do well in both those matches was nice.
#
To hear Mithali Raj say,
#
standing at mid-off and saying,
#
no, you bowl your full 10 overs.
#
To have her show that kind of confidence in me
#
was really cool for a young cricketer.
#
To go to the dressing room afterwards
#
And to hear that, yeah, you did well,
#
To get that kind of direct encouragement and feedback was incredible.
#
And I remember on that tour,
#
Juludi actually completed the landmark of 100 wickets.
#
So being on that tour, being a part of that
#
was another special feeling.
#
There are very few people on the women's cricket circuit
#
who I've connected on a wavelength with.
#
And fortunately for me,
#
one of the people I looked up to was one of them.
#
Juludi was one of them.
#
at the same time, competitiveness,
#
extreme competitiveness,
#
this ability to take the focus off herself
#
and guide the younger players.
#
And again, I keep saying this,
#
but I almost wonder how much energy she must be pouring
#
and still, from what these kids say,
#
pouring into the current crop of younger cricketers.
#
she's just an amazing cricketer
#
and the cricketer that she is, is amazing.
#
So overall, getting to fulfil that dream
#
was an incredible experience,
#
where you have a dream of opening the bowling
#
with Julian Goswami for India.
#
Got to do that and that was pretty cool.
#
Yeah, and longevity is also amazing for a fast bowler.
#
To give almost 20 years is kind of crazy.
#
So that 3 for 21 you took in the game against Pakistan,
#
it was at one stretch, those 10 overs?
#
Yeah, those 10 overs. As far as I remember,
#
I'll have to check ball by ball to be sure,
#
but as far as I remember, those 10 overs were at a stretch.
#
I mean, that is really kind of tough physically.
#
You know, just in terms of physical conditioning,
#
by this time, I guess you had proper coaches and all of that.
#
Give me a sense from a fast bowling perspective,
#
how different approaching a match is for a fast bowler
#
as opposed to a batsman, for example,
#
Yeah, I mean, the spinners have the easiest job.
#
But for me, that had kind of become something
#
I'd been known for on the domestic circuit.
#
You know, in the few seasons leading up to playing for India
#
and at that time, I had become a bit of a new ball specialist.
#
I had become someone who regularly will bowl
#
10 overs upfront to the new ball.
#
So it wasn't down to any kind of specific training regime.
#
It was probably just a lot of bowling.
#
You know, we hear these two schools of thought nowadays within cricket.
#
One is that, you know, you have your workload management,
#
is that bowl only X number of balls per week, per day,
#
and then you do the rest of your miles in your cardio or something.
#
And we didn't have any of those concepts.
#
It was just sheerly bowling in the nets for almost an hour, hour 15 minutes
#
is how we used to kind of build up that kind of bowling fitness.
#
Despite having a few coaches here and there,
#
there was only probably one other coach in the state set up
#
who had shown that they have a very high level of knowledge.
#
But I had not yet met someone who was able to impress as a coach
#
even in my first few years in Western Railway.
#
But just training with a team like Western Railway
#
where we were putting in a little more hours in terms of what we were doing.
#
There was a gym there, so I was doing gym work properly for the first time in my life.
#
I had been doing some gym before that.
#
We had this tradition of going for weekly runs to Juhu Beach
#
and we would head there and reach there by sunrise and do a 45 minute,
#
sometimes one hour long distance run.
#
So these very old fashioned training methods,
#
no real knowledge about nutrition, no real knowledge about recovery,
#
no dedicated time energy resources to really do this,
#
just try and have as much regular home food as you can.
#
That was kind of how it went back then.
#
In terms of preparation for matches,
#
one challenge of bowling those 10 overs at a stretch,
#
for me, I am someone who sweats a lot.
#
They used to call me the Rahul Dravid of the women's cricket team.
#
That much, no one would hug me after I took a wicket.
#
One of the big challenges was cramps.
#
One of the big challenges was especially training a lot in Mumbai,
#
very often playing in hot humid conditions with cramps.
#
So hydration, even though there was very little knowledge of nutrition and those kind of things,
#
hydration became something that I paid a lot of attention to.
#
So day before the match, my hydration would start.
#
A day before the match, I would have my favourite brand of ORS mixed into a bottle ready
#
and I would kind of consume the entire quota a day before the game.
#
During the game, everyone knew this is Poppy's bottle.
#
My nickname during my playing years was Poppy.
#
So this is Poppy's bottle, everyone knew.
#
No one else touched that and every opportunity,
#
whether it's a small pause in the game, someone will come,
#
the 12th man will come inside and run me drinks.
#
So that was something that I always constantly was conscious of, worked on.
#
I mean, I marveled at all rounders.
#
I looked at people who were proper fast bowling all rounders.
#
I'm like, how did you do it? Because it was exhausting, let's be honest.
#
That kind of training, that kind of preparation.
#
Of course, by that time, I was also working in Western Railways,
#
so I had to spend half a day in an office where all you want to do is curl up and sleep
#
rather than going through dusty old files
#
and having to sort them alphabetically only to find out two days later that it's all been jumbled up.
#
That kind of experience was exhausting.
#
So I really had no concept of how these all rounders did it,
#
how people who were, Guru Melidhar for one example,
#
I mean, fantastic all rounder for India,
#
regularly bowled 8-10 overs and batted at 4-5-6 in the middle order.
#
And I marveled at that.
#
But it was at that stage incomprehensible to me.
#
I was just about able to kind of pour all my energies into bowling.
#
It got me to that stage that it did.
#
Yeah, I think, speaking of Ramellidhar,
#
she, I think, made a quick fire of 50 at more than a runner ball in that particular match against Pakistan.
#
Tell me a bit about that Railways thing because my impression was you get a sports quota job,
#
you're basically playing sports, but you also had to go to office and look through files.
#
What was your work there?
#
Oh, that was such a phase in life.
#
Because, I mean, Dina Adelji was there,
#
she had kind of created a system where, you know, new players coming in,
#
had a place to stay in Mumbai.
#
So that first struggle of, you know, where to stay in Mumbai
#
wasn't as big a struggle in terms of finding that place.
#
Getting used to that place was a different issue because it was a railway quarter in Matunga,
#
the Matunga Western Line Station.
#
Right next to it, still when you pass from Matunga to Mahim and you look on your right,
#
you will see those probably blue and white painted houses.
#
You know, once upon a time, I used to live in one of those houses where we are banged next to the railway tracks,
#
which is why, I mean, hearing just the train sounds in Mumbai is just a part of my psyche, I suppose.
#
And we are seven people in that flat.
#
We are seven girls, all girls from the women's cricket team, staying in that flat.
#
It's literally two rooms and a kitchen.
#
And everyone has different schedules.
#
There is no real furniture.
#
We're sleeping on bedrolls on the floor.
#
We're using that place as, you know, just to crash, essentially.
#
I was lucky enough that I was close by enough to go to Pune on the weekends, etc.
#
and enjoy home comforts.
#
But moving to Mumbai, living in that kind of place after, you know, experiencing Pune and Mumbai anyways,
#
the amount of space you have available to you is so very different.
#
Then commuting every day, like our routine was almost, sometimes if we're doing twice a day training,
#
leave Matunga at around 6.30, by 7.15 travel to Lower Parel, where the Western Railway ground is, at Mahalakshmi,
#
which is opposite Phoenix Mills and High Street Phoenix, which is now High Street Phoenix.
#
There, 7.15 to 8.15, 9 have a morning session, whether that's fitness, whether that is a gym,
#
whether whatever is happening at that phase in time.
#
Use the dormitories there to bathe, change, head to office, get to office by 10am.
#
Stay in office, torturous, 3 hours, and leave at 1pm.
#
So the facility that we received was half-day.
#
Being a sports quota athlete, you could basically, you had to go to the office half-day, leave at 1.
#
The stories that you hear of, you know, people being signed on sports quota and then just never having to turn up
#
either stories of extremely elite athletes who set conditions that, you know,
#
okay, sorry, we're not going to turn up in an office ever and the Railways wants them so bad that they accept those conditions
#
or people whose offices can be managed, whose offices are, you know, cooperative enough to,
#
yeah, okay, fine, don't come, that's okay, because everyone finally is posted into an office
#
and you're under a particular boss, totally depends on how that boss is with regards to how you are,
#
how much workload that space has. I mean, within Western Railway, people who are posted at headquarters,
#
Churchgate usually had very less workloads.
#
People who are posted like me at Bombay Central, working in the Bombay division, not headquarters division,
#
had very high workloads, so we had no such allowances.
#
There were, of course, a lot of our players who worked as TCs and they didn't have weekends off.
#
They had only one day off a week that may not even be on a Saturday, Sunday.
#
They would actually be in trains checking tickets, so that sometimes was like a good thing or a bad thing
#
because you're kind of on the fly, it's easy to fly away when you're on the fly.
#
And then after 1 p.m., have food usually outside somewhere and head back to Mahalakshmi.
#
The dormitory is there, had beds, so we would usually catch an afternoon nap for an hour
#
and then 4 to 6 p.m. training again, 6 p.m. get back and travel back to Matunga,
#
focus about half an hour, 45 minutes, 7, 7.30 back, have food,
#
and if you have any energy left for any recreation, that's the time you got.
#
And that was the kind of routine that we had.
#
That was the kind of routine that I lived for a very long time when I was living in that flat.
#
Eventually I moved out and lived with friends, but it is a very different kind of life.
#
But at the same time, everyone accepted that it is a very normal life for women's cricketers.
#
I mean, just at any point of time in that flat, there were at least 2 India cricketers there.
#
I think when I was there, there were 4 out of the 7 had played for India.
#
So that was what an India cricketer's life is like.
#
Wow! And at this point, how are you sort of thinking about your life ahead?
#
Because, you know, there is a game, but at the same time, the Indian team just isn't playing so much.
#
So, you know, it's not like you're going to play 100 test matches.
#
You know, it's just not there.
#
Obviously, I'm guessing you're not thinking that, oh, I want to be in railways all my life.
#
So how are you kind of thinking of life outside of cricket, after cricket and so on?
#
To be honest, I mean, in those early years, I'm not thinking about after cricket because, I mean,
#
just the hope is that, you know, you can make as much of this life as possible
#
and stay in cricket and continue to play at a high level for as long as you can.
#
You quickly realise that that's not always possible.
#
There is, you know, at that time, so much insecurity in the team,
#
so much inconsistency and arbitrariness in selection.
#
Absolutely no concept of, you know, nurturing a player.
#
I mean, thinking back right now, if I was an administrator and I had a female bowler who was 6 feet tall,
#
I would be making sure that I nurture that bowler.
#
And there were two or three of us who were, you know, physically gifted like that.
#
I would be making sure that I nurture that player and having her as kind of a backup
#
and a succession for Julan Goswami.
#
There was absolutely no thought like that because you have to remember,
#
after the BCCI took over women's cricket,
#
some things changed for the better, like I described before, but some things changed for the worse.
#
We were no longer the number one priority of the association who was governing us.
#
So, you know, whether there was a coach, whether there was a national team program,
#
national team coaches also were on a revolving musical chair.
#
So that's the context, that's the environment that we're kind of in,
#
and it's an environment of survival rather than prosperity.
#
You know, you can't think about flourishing, you're just thinking about keeping your head above the water.
#
And this is for the few of us who are lucky enough to have government jobs, salaries,
#
you know, having already come close to or having played for India.
#
Even we are kind of going through that kind of a mindset, or at least I was.
#
I won't speak for the others, but that was a little glimpse of the environment.
#
I always knew at the back of my mind that I'm not going to stay with railways beyond my cricketing years.
#
I had no idea what I would do. Absolutely none.
#
But it was just a, it was an existence of hope that you continue to stay, continue to survive,
#
hopefully get opportunities to play at the international level.
#
If not, you have the fact that there is a railway job who is kind of, the railway job is supporting you, which is good.
#
But there is a little bit of a driftness to that existence.
#
Even if you're playing for India, like you said, there aren't a lot of matches happening.
#
There are three or four tournaments a year.
#
When the next tournament happens, whether the coach will be the same, whether the selectors will still think the same about you.
#
An atmosphere of insecurity, despite the security of these public sector jobs,
#
because you knew that there was no option besides railways.
#
It's not like I could, like my, I had office mates in chess and table tennis and badminton,
#
and all of them could jump from railways to petroleum if railways didn't treat them right, or, you know, move to like a bank.
#
Whereas Women's Cricket Railways is the only employer, so there wasn't an abundance of options either.
#
So, it was this strange time, and I'm glad that a lot of cricketers today don't have to,
#
or if they're good enough, they don't have to kind of go through that kind of time.
#
Despite being grateful to the railways, I mean, let's be really clear,
#
if not for that railway job, I would probably have quit cricket after my graduation.
#
I turned down engineering, but I did a B.Sc.
#
In my third year, I was thinking about, you know, higher education, okay,
#
how many years can you keep taking money from your parents to continue playing cricket,
#
which might give you absolutely nothing in the future.
#
Railways kept me in the game. Otherwise, I would have gone off, maybe done an MBA,
#
and be sitting in some corporate office right now.
#
Railways kept me in the game, but at the same time,
#
it's something which a few colleagues of mine describe as limiting ambitions by being in that environment.
#
Thank God you ended up not doing an MBA, and there are plenty of MBAs out there.
#
That's also the survivorship bias.
#
There might be other people who made the same decisions as you,
#
who might kind of regret making those decisions and not going in for that MBA.
#
So I guess that's there.
#
So during this period, and obviously, you know, in women's cricket,
#
matches are simply not happening enough.
#
Like in the Fire Turns Blue, there is this talk of how between, you know,
#
half a generation was lost because between 86 and 91, there were just no games.
#
So half a generation was just lost and couldn't play international cricket and so on,
#
which is kind of one of those tragic losses.
#
Like we speak of, we know Mankads lost years during World War II,
#
but those kind of gaps are just so common in women's cricket.
#
And obviously, that affected you also in the sense that you didn't really play that many games
#
till you eventually bowed out in 2012.
#
But you also spoke about, you know, if you were an administrator,
#
you would have nurtured a young Snehal better than what actually happened.
#
So what really went wrong? Like where do you feel nurturing would have helped?
#
Like, you know, where did you go wrong?
#
So one thing was, I remember having this comparative example thrown about.
#
I think this was the 2009 World Cup where we were all in Australia.
#
And there was, I think we had gone there for a series before we were playing Australia in 2008.
#
And there was a launch event, you know, like a press event for the upcoming 2009 World Cup.
#
And there were some representatives from some of the top countries.
#
Isha Goa was there for England, the Australians, of course.
#
I think Susie Bates must have been there from New Zealand.
#
And I remember at the time hearing or learning that England had kept the same team for the last four years.
#
They had had that kind of vision that, you know,
#
if we're going to do well in the World Cup, we need to give a lot of match experience to the players who we select.
#
So they had essentially selected their World Cup team practically four years before.
#
And by the time they came into that World Cup, all of their playing 11 and their key players had played about 50 ODIs.
#
Yeah. So I remember that. I am thinking I'm so jealous of that.
#
I'm so jealous of the fact that, you know, what I had heard at the time was these players are told that,
#
you know, even if you get four ducks in a row, you're going to be in the team.
#
I was like, I'm so jealous of that because I am constantly in this environment where despite doing well, I might get dropped.
#
I mean, the 2009 World Cup, I didn't play a single game.
#
The next World Cup that was happening after that, I wasn't in the team.
#
There was like a domestic tournament before that. I did OK.
#
But, you know, you would think that you would hold on to your place unless you get knocked off at the international level, at least.
#
There was so much arbitrariness in selections.
#
I mean, there was one phase where India Caps were being just handed out in a slightly ill manner.
#
And it's this kind of environment that makes it difficult.
#
And I'm not going to sit here and blame the environment, just the environment and, you know, not say that I could have done better.
#
I've already said that. Looking back, I wish that I had taken the game more professionally.
#
I had trained much more. I had played a lot more matches outside of what India or Maharashtra were providing to me,
#
which are a lot of things that I did in the latter half of my domestic cricket career and saw value in that.
#
But, you know, at the time, like we said, we were figuring things out.
#
Didn't have this constant coaching, always moving from OK, now you're with the Western Railway coach, now you're at some other coach,
#
whereas nowadays, every player you hear at the top level comes to the top level because they've had this constancy in coaching.
#
They've had, you know, one person who's kind of, they always can go back to that one person, which really wasn't there for me.
#
So there was no shortage of hard work.
#
But there was these other things which I wish that I had done differently in terms of, you know,
#
the time where I lost my place in the Indian team because of the suspect action calling.
#
That was one of those phases where I was very much in between coaches, you know.
#
Who should I be learning from exactly?
#
That is one of the things I wish I had gotten sorted a lot earlier in life.
#
And the fact is, there weren't as many people who were becoming personal coaches of women's cricketers back then.
#
So that is something that I feel I could have done better in terms of approaching the game more professionally.
#
I kind of got caught up in the Railways life and, you know, I have to keep the people at office also happy.
#
I have to make sure I'm doing my best.
#
Whereas now thinking back, I could have thought, you know, I mean, maybe that's just the people pleaser in me thinking that.
#
But I could have thought, let office go to hell. I'm here to play cricket. I can play cricket for a finite amount of years.
#
I don't care if people in the office are unhappy, but I'm going to spend more time on the ground.
#
You know, maybe that's something that I could have thought.
#
But again, the environment is such that you're penalized for that kind of thinking.
#
I mean, if I just drop everything and run and not turn up to office for five days, I have to go back and face consequences at some point.
#
Which is, I mean, things that happened.
#
I, at one point, got charge sheeted in the office for not turning up when they called me to work on a weekend.
#
They have charge sheets.
#
They have charge sheets.
#
This is the literal word, charge sheets. I can still remember the word sitting on those brown faded paper. Oh my God.
#
It was a semi-professional environment.
#
We keep talking about, you know, how India has professional contracts for the top 20 players.
#
Okay, fine. 2015 onwards, that existed.
#
In our time, there was no such thing as an India contract.
#
Okay, you earn a lot more money than you've ever earned before playing cricket for the BCCI.
#
But suddenly, the next tour, that doesn't exist.
#
So, that's something that we're aware of.
#
That this kind of, there's no constancy, there's no financial support.
#
Besides, you know, I keep complaining, but I have a railway job.
#
Still, I'm thinking like this. I'm kind of stuck in this kind of thinking.
#
So, I wish my thinking had been very different.
#
The kind of thinking that now I approach my, not just media career,
#
but also the career where I'm trying to build my own coaching, especially my online coaching.
#
The kind of thinking that I'm applying right now.
#
The kind of initiative I'm showing in trying to get the kind of guidance that I need.
#
I wish I had those kind of attitudes back then.
#
But I also recognize that the environment is very different
#
and you have to be like, you know, some of those pioneers,
#
this really driven person to crack that kind of a situation.
#
And which is why I have serious respect for the likes of, you know, Mithali Rajul and Goswami
#
and people who have been in this situation and excelled for so long.
#
You know, one, when that happened, like around 2012, you were called for a suspect action
#
and your career gradually petered out and you played your last game, I think, in 2015.
#
So, what was that phase like?
#
Did you feel that you were kind of left alone to fend for yourself, not enough support within the system?
#
And at what point did you start figuring out that, okay, this is going to end at some point
#
and I need to think about what I'm going to do beyond that.
#
So, what was sort of that transitional phase like when you kind of started thinking seriously about what do I do next?
#
And also as a general question, though we'll talk about women's cricket more in detail after the break,
#
but just as a general question, when male cricketers end their careers,
#
there are often different kinds of post-career pipelines that are there.
#
They can enter local administrations or those who are fortunate enough can get into media
#
and all these different kind of pipelines are there.
#
There are precedents for what people have done and chances are that on average they've actually made more money also.
#
So, is there something like that?
#
I imagine for all of us, my career really probably ends when I drop down dead.
#
But for sports people, that's not the case.
#
For sports people, you are kind of in the peak of your physical life
#
when suddenly it's over, everything that was the center of your life for so long is just done.
#
So, is that something in a general sense that you know how have people around you coped with that
#
and in a specific sense, how was it like you when you started kind of transitioning?
#
It's actually funny that you know the period where after I was called for a suspect action
#
and one year after that was really difficult, but the phase after that,
#
maybe the last few years of my domestic career were actually the best cricket that I had ever played
#
because I had gotten a lot of the things which I wish I had gotten right earlier, I had gotten them right later.
#
But in the phase of where I was called for suspect action, I remember the actual day when the announcement was made.
#
I found out on TV which was terrible.
#
I mean, I remember being really angry at the media.
#
You know, usually you guys don't cover women's cricket at all.
#
Now you are putting it on the headlines just because I've been called for a suspect action.
#
I found myself really angry at the media
#
because you know there was this little bit of a stigma around suspect actions before,
#
whereas now it's looked at more holistically.
#
You know, people don't think Sunil Narayan is a bad person because he had a suspect action,
#
whereas there was a little bit of a stigma around cheating
#
and all those kind of things around suspect actions a little further back.
#
And therefore, it was almost like I was being portrayed on TV as a villain
#
and I really remember resenting that.
#
I really remember being distressed, watching the news
#
and seeing myself on the 8 o'clock news in the sports section.
#
I'm like, come on, when India do well at the World Cup, you don't highlight us there.
#
And now when there's some kind of infamy, immediately you guys wake up.
#
It was during a national camp at Bangalore.
#
So, in that sense, I had immediate support.
#
I remember Sandeep Patil was the director of the NCA.
#
The next day, he called me into his office and he told me,
#
you'll be fine in six months.
#
I said, I'm going to be fine in three.
#
And that determination was there.
#
It was a near-miss kind of a situation.
#
They take you to a lab.
#
This lab happened to be in Perth, Australia,
#
where they put electrodes on your arm and you're asked to bowl.
#
Not electrodes, but, you know, they put those dots of fluorescent dots,
#
which basically show up on a particular type of camera.
#
And that camera tells you that, okay, roughly this bowl angle was this much,
#
this bowl angle was this much.
#
If the permissible limit is 15 degrees, my average is about 17 degrees.
#
I believed that, you know, it's just a minor adjustment that needs to be made.
#
Strength levels need to be improved to make sure that, you know,
#
the arm isn't taking that much of the load, those kind of things.
#
Some technical adjustments were made in getting my action slightly more round-arm
#
so as to not go past vertical, which can, you know, lead to that.
#
On top of that, I have a naturally hyper-extended elbow.
#
So, not as much as, you know, the Murlis or the Shoibs,
#
but this is something that's fairly common in subcontinental bodies
#
and especially slightly taller, longer bodies.
#
So, therefore, the optical impression is just enhanced
#
when you're watching an action with the naked eye.
#
So, the immediate support was good because the coaches within that camp,
#
we sat down, we kind of chalked out a plan.
#
The months after that, it did take six months eventually,
#
you know, despite my determination and young bullishness,
#
but the months after that were difficult.
#
I remember and really appreciate some of the Indian team players checking in,
#
but I had zero idea who to talk to about the BCCI about this.
#
I had zero idea who to talk to about my state association about this.
#
I kept asking them for answers.
#
Okay, when is there going to be an assessment?
#
What is going to happen? What are the next steps?
#
And there was very little communication.
#
Eventually, there was a review a few months down the line.
#
Then, once we were all confident, there was another review at the ICC level.
#
Everything was fine, action back into legal status and bowling action cleared,
#
but in that time, I could not bowl for my state.
#
So, I was playing for my state as a batter,
#
and this was the tricky period because then at one point,
#
I lost my spot in the state team as well,
#
which, you know, absolutely zero concept of,
#
okay, now you're out of the team, you'll still be supported,
#
you can still come to training, we'll still help you with that
#
because you are a valuable member of the state side,
#
you've been with the state side for the last 5-6 years, absolutely zero,
#
It was a very much friend-for-yourself kind of a situation,
#
a situation where you are shown who your real friends are,
#
but eventually, I mean just through sheer determination
#
and sticking to the kind of processes that we had mapped out in that first camp
#
as to how we can fix it,
#
and working with the coach while I was out of the camp as well.
#
Again, correcting one of the mistakes of the past.
#
I got back and I mean I'm pretty proud of the second half of that career.
#
So, I wouldn't say my career petered out
#
because I had some of my best years with Maharashtra after that.
#
Yes, I didn't play for India again, but I captained India A.
#
My last professional game was playing for India A against New Zealand.
#
So, I was very close to breaking back into the Indian team.
#
So, that part of the journey was difficult, but at the same time rewarding
#
because like you said, you have to learn from these kind of things
#
and sometimes only when these kind of things happen do you learn.
#
So, there was definitely a change in my approach towards fitness,
#
towards professionalism also.
#
The situation in my Western Railway office also improved somewhat
#
where I can be away from work a lot more than I could.
#
So, that helped and I could train a lot more with the coaches
#
and get the kind of match experience that I needed.
#
I mean some of my best spells were in those 2014-2015 years
#
Like I said, I just made it to India A,
#
felt like I was one step away from,
#
one good performance away from making it back to the Indian team,
#
but again didn't get selected into the Indian team after that India A game
#
and no idea about what women's cricket looks like
#
for the next rest of the year.
#
After that series, what's going to happen?
#
Even that series was just announced so last minute
#
that I remember coming into that camp completely unprepared
#
because we thought we were heading into an off season
#
and suddenly New Zealand is visiting.
#
That kind of situation, no idea when India is going to play next,
#
no idea what to kind of build up to besides a vague target of the 2017 World Cup
#
and this situation where there was a lot of uncertainty.
#
So the question is do I want to then, at the age of 28-29,
#
do I want to continue and give it another couple of years
#
with an excruciating amount of hard work that had gone into those last couple of years
#
which were leading to good performances.
#
Do I want to do that all over again, again with the uncertainty
#
whether I will play for India or not, close to 30,
#
selectors usually prefer younger bowlers, younger players at that point,
#
arbitrariness of selection and those kind of things
#
or whether do I want to give myself some time to look to build a second career
#
and I knew that because I was going to quit Railways,
#
I had to make a living somehow, some other way
#
and therefore whether that is the right time to think about giving myself time to do that
#
and eventually I decided on the latter.
#
Yeah, I mean that feels like an absolutely agonizing decision.
#
Do you sometimes look back and wonder, had you stayed in the game,
#
could things have been different, I mean you could have been part of the 2017 team for example,
#
especially if you were bowling at your best at that point in time,
#
is that a thought that stays with you or I guess it wouldn't come so much
#
because you are extremely successful in what you are doing,
#
but that may not have been the case,
#
so is that a thought that sometimes comes to you, the counterfactual?
#
No, I mean I think about it but I don't regret that decision at that time.
#
There was also an element of having played cricket despite being only 28-29,
#
having played cricket for 15 years
#
and at the same time remembering and knowing because of my family background
#
and this constant awareness that there are other things that can give me a lot of happiness
#
which are out there, I didn't know what those things were.
#
Also a determination to stay connected to cricket,
#
that even though I will no longer be playing cricket,
#
I will still be doing something or the other in the game
#
because that was the primary skill I had at the stage where I am retiring.
#
Again, zero idea what I will do.
#
Also, those last few years, even though they were successful in terms of what I was getting out,
#
they demanded more and more in terms of what I had to put in.
#
As a fast bowler, there are always going to be a few injuries here and there,
#
towards that last year or so, I had developed this weird pain in my ankles
#
where after every game, I had to put both my feet in a bucket of ice.
#
Those are all things which were building up and contributing to that decision.
#
It's a hard life as a fast bowler, as a player who is fully committedly professional in an environment
#
which is giving you no guarantee of results.
#
Therefore, I don't have any regrets.
#
I don't think, whatever, I had been at the 2017 World Cup
#
because I was at the 2017 World Cup in another capacity.
#
In a way, I don't feel like I have disconnected from the game or given up the game.
#
I just feel like I have switched teams.
#
I don't have regrets about how things happened.
#
There is also a recognition that, like I said,
#
I was a very different person from the people you would usually find at the women's cricket level,
#
where people would think the railway job is never something you quit.
#
Whereas, I have no doubt in my mind that this is something I am not going to do
#
because I knew I could do other things.
#
A lot of people ask me, why didn't you take up coaching after you quit?
#
Because I knew that everyone can do coaching,
#
but very few people can do what I do with the communication skills that I have,
#
with the language skills that I have.
#
I knew that I had the opportunity to contribute in different ways
#
because I had already gotten a taste of that while I was playing.
#
I never think about the counterfactual.
#
That entire time at the 2017 World Cup, not once did I think,
#
oh my God, this could have been me.
#
But on the other hand, I was thinking, oh my God, wow, I am here.
#
Fabulous. We will take a quick commercial break
#
and when we come back on the other side, we will actually talk about your life after cricket,
#
which to me, in a sense, is also incredibly inspiring and a lot to learn from there.
#
So, we will take a quick commercial break before that.
#
People often say, hey, cricket is not such a big sport.
#
Only a few countries take it seriously.
#
Well, let me put it like this.
#
If you were to gather all the cricket fans in the world and make a country out of them,
#
Cricketistan would be one of the biggest countries in the world.
#
And the national app of Cricketistan would be the co-sponsor of this episode, Crick Heroes.
#
For any casual cricketer or cricket fan, Crick Heroes is the final piece of the puzzle
#
as far as cricket apps are concerned.
#
Look, the other apps and websites will give you information, features, data,
#
but you will be a passive consumer of big events.
#
Crick Heroes makes you a participant.
#
Are you a recreational cricketer who wishes there was a record of your performances?
#
Well, Crick Heroes allows players everywhere to record their scorecards in real time,
#
every match, even a gully match if you want.
#
You can track the arc of your own career and you can track your friends.
#
You can trade cricket related goods and services with them in the Crick Heroes marketplace.
#
You might even find a coach there.
#
10 million people use Crick Heroes.
#
What's more, so do 38 national boards across the world and many state boards in India
#
so that they can track every game that happens.
#
So head on over to crickheroes.in and download Crick Heroes now.
#
If you love cricket, you love Crick Heroes.
#
Welcome back to The Scene on the Unseen.
#
I'm chatting with Snehal Pradhan about her rich career.
#
You know, before I ask my next question, I got to point out that I was also once reported
#
for a suspect action unfairly by none other than Rahul Dravid.
#
Now, I don't actually play any kind of cricket,
#
but this was back in the days when I worked in Crick and Foil in the mid 2000s.
#
And we used to play office cricket in our corridor with this little ball,
#
which you could squeeze a lot.
#
It was like halfway between a plastic ball and a squeezy ball.
#
And I had discovered this technique where by squeezing it a lot and releasing it,
#
just as you know, whatever I could impart great forward spin,
#
which made it really fast, right?
#
So Dravid came over once to play with us and I bowled him.
#
My first ball, I was trying, you know, kind of a backwards spin kind of thing,
#
Next two balls, he was clean bowled when he in exasperation,
#
he called me Shoaib Akhter and said, I can't play against you.
#
But the irony was that it was all finger spin.
#
There was no chucking involved.
#
But leaving that aside and in case I give the impression that I also play cricket,
#
I'd be absolutely useless in a field.
#
So kind of moving on from your cricketing career,
#
like one of the things that I'm actually excited talking about is this next part,
#
because I have been thinking a lot in recent months about creators in general.
#
About things like teaching, about things like how do you achieve excellence in what you do.
#
And there are just so many dimensions to things that you've done in this period.
#
In terms of writing, in terms of starting a YouTube channel and making that work,
#
in terms of coaching and not just coaching cricket, but also coaching sports journalism.
#
And in terms of doing commentary in two different languages.
#
So let's start with what actually came first, which I don't know.
#
So, you know, after your cricketing career was done, you know, where did you go next?
#
How were you thinking of what you want to do from now on?
#
So writing came first and it happened in parallel with kind of the second half of my cricket career.
#
There was this like since school.
#
OK, so maybe I should go a little further back.
#
When I was in, like I said, I changed schools at one point.
#
The first school that I was in, where we were living with the joint family, was a convent.
#
And you know, it is this fairly prestigious convent, this really old school, which has been around since my parents' time.
#
My mother went to that school, my father went to the school next to it, which was a boys' convent.
#
Both were run by the same institution.
#
And next door is Loyla's, where my father went and St. Joseph's was where my mother went.
#
And they wanted me to get admission and you know, the whole convent, colonial obsession with the language,
#
you know, you should be able to speak good English from nursery, otherwise you won't get admission kind of situation,
#
created an environment at home where we were speaking a lot of English.
#
So despite being a Marathi family, despite being a family where, you know, my grandparents had most of their education in Marathi,
#
we were speaking a lot of English at home, mainly to get me into the habit of speaking in English, so I would fit into a convent school.
#
Due to that fact, I've always had good English speaking skills.
#
So therefore, I always enjoyed English throughout school.
#
And I tried my hand at kind of writing throughout school, you know, small limericks, poems,
#
not going to compete with your level of limericks, but the point being that I was dabbling around with the written form
#
before I ever conceived, could conceive that, you know, I might make a living from it.
#
So I had this fondness for writing, even though I had never actually written much.
#
But during my years in Mumbai, I actually started writing blog.
#
I started writing a blog and would write about pretty much anything that came to me.
#
Some of my oldest entries were, you know, what we would now identify as listicles,
#
vague philosophical ramblings on, you know, the meaning of sport and winning and losing and that kind of stuff.
#
Eventually, I started writing about cricket also, started writing about cricket more frequently,
#
started a separate blog just for my writing on cricket.
#
So the previous blog could have been anything, book reviews, song reviews, you know, what this song meant to me, that kind of stuff.
#
But this blog was more about what I was thinking about the game.
#
I discovered Twitter around that time, probably 2013-ish,
#
and discovered that, you know, there are people abroad who are dedicated women's cricket writers
#
and are writing blogs about their women's cricket so as to give it more and more attention and that kind of things.
#
And I thought, hey, that's something I can do.
#
I can, you know, write blogs about domestic cricket, which no one ever talks about and no one ever covers.
#
Everyone knows Julan Goswami, everyone knows Mithali Raj, okay fine, good.
#
By now, you know, BCCI has taken over women's cricket and these people are slightly more famous than they were maybe 10 years ago.
#
But domestic cricket, no one talks about us.
#
So I started doing reviews of tournaments or, you know, previews of the season.
#
I started writing that kind of stuff on my blog and putting it up on Twitter.
#
Eventually, someone picked it up.
#
Wisden India reached out saying that we would like you to write for us.
#
And at that time, I was like, so absolutely naive, zero idea about how to have conversations about money.
#
I wrote my first probably 10 odd articles for them, didn't even ask for any money.
#
And later, you know, the good people at Wisden India reached out to me, hey, have you received your payment for this kind of thing?
#
I was like, no, no, no, no, I haven't.
#
So that was happening in parallel while I was playing cricket.
#
My blog for Wisden India ran in that period.
#
I was actually writing some kind of anti-BCCI stuff.
#
I mean, I don't mean to be anti-BCCI, but I was writing about, you know, how women's cricket has changed,
#
some for the better and some for the worse, while I was playing,
#
which is kind of, yeah, which is kind of... I didn't even...
#
Like I said, I was just so naive that I never even appreciated that there may be consequences for this kind of thing.
#
Also, because it was such a small thing, I was like, no chance anyone of import is actually reading this, so it's okay.
#
And then I was finding a sense of satisfaction and purpose through that,
#
because again, like I said, you know, everyone can do coaching, but very few people were actually, very few cricketers.
#
I don't think anyone else... I may be wrong, but I don't think anyone else was actually writing about the game while they were playing the game.
#
And in this sense, I was kind of being inspired in a way by what was going on in other countries,
#
where blogging about niche game is a very big and mainstream thing in its own right.
#
There will be any... Pick any niche game.
#
And I don't know why chess is coming to mind. I don't want to say chess right now.
#
But lawn bowls... I'm sure there are very active blogs about lawn bowls and very active communities about lawn bowls in, for example, maybe Australia.
#
So I was kind of following the leads of these kind of communities and writing and putting my stuff out on Twitter and finding that, oh, this is interesting.
#
So after I quit, having no plan when I quit, but after I quit, one of the first things that I did was
#
I reached out to some people within the media saying that, hey, this is what I've done before.
#
Would you be interested in hosting these kind of articles?
#
And they said yes. And they said, okay, we'll pay you X amount of money for each article and you write X amount of articles per month.
#
I was like, oh, I can make some money here.
#
It was not a lot of money, but it was... I had never been able to conceive that, you know, I might be able to support myself financially
#
or even start of supporting myself financially through writing about cricket.
#
I was like, this is cool. And so I started writing about cricket.
#
I started discovering that, you know, rather than just writing from home, you can travel and cover tournaments.
#
And there is something called accreditation where you become an actual member of the media when you gain that accreditation,
#
which is basically a pass for a media person to cover a particular tournament.
#
And then this very interesting little journey happened before the accreditation or... no, actually at that point,
#
I had received accreditation and covered a 2016 T20 World Cup, covered a couple of women's games in that tournament.
#
So that was my first ever assignment as a written journalist, you know, where I'm actually at the ground, I'm in a press box.
#
Oh, so this is what a press box is like.
#
You know, the heroes have kind of changed, rather than wanting to run into a Jhulan Goswami, I'm running into...
#
Osman Swami would then... Oh my God, I read his work. He's sitting right here. That is so cool.
#
Those kind of moments I'm having.
#
Then I have this little bit of a journey. The Women's Big Bash has begun.
#
Indians are going to be playing in it for the first time. Harban Pritkor and Smriti Mandana.
#
I figure, I have a few friends in Australia. There are going to be Indians in Australia.
#
There's going to be no one else really covering it from India.
#
Why don't I travel and see if I can cover this tournament on my own, like totally freelance.
#
Reached out to a few people saying, Hey, will you guys be interested in articles?
#
It was nowhere near, you know, the cost of covering my trip. It was still going to be significantly out of pocket.
#
But at the same time, because I was able to live with friends, I wasn't really incurring as much cost as I might have.
#
I went to Australia for a couple of months.
#
I went to Brisbane. I went to Melbourne. I went to Sydney.
#
I just experienced that tournament as a journalist. I wasn't writing about it every day.
#
But I would go to every game. I would sit in the designated area, which is what they pass through a press box.
#
These are small community games. The WBBL is not as big a tournament as it was before.
#
I also happened to be around at the same time, the Australian Open is being played.
#
So I visited the Australian Open for the first time.
#
So there is this exposure to a wider sporting experience and a different culture, a culture in the country which is sports mad,
#
which really, I wouldn't say it was like a pivotal moment, but it was a moment of broadening of my horizons.
#
Because I had been to Australia before. I had been to Australia three times as a player.
#
But you are a player, you are staying in a hotel, you are going from a team bus, you are going to a ground,
#
you are coming back from a team bus, you are coming back here.
#
At most, you are going to a little bit of sightseeing at the end of it.
#
Whereas here, I was mapping out my own directions, budgeting my own trip,
#
figuring out what my travel schedule should be, booking my own flights.
#
The entire experience was just so educational.
#
And in terms of opening up, the WBBL is one of the best-run women's leagues in the world.
#
So opening up to the possibilities of what women's cricket holds, that was a brilliant experience.
#
And I still have no idea how I actually conceived of it and actually went ahead and did it.
#
If I think about it now, I don't know if I will do that.
#
But yeah, it was just such a new experience. At every step, I am discovering literally something new.
#
For example, there are separate cycling tracks in Australia for only cyclists.
#
You know, the small, small things which blow your mind.
#
Or the fact that the trails here are so well marked.
#
Or the cricket here is so well done.
#
You know, they have a Christmas party.
#
Christmas, of course, in Australia, it's summer. So they have a summer Christmas party on the ground,
#
where after the match, they open up the ground for the audience and they have a band in the middle of the stadium
#
and everyone's playing Christmas carols on a cricket ground.
#
These are the kind of experiences which I would never have gotten if I had not gone on that kind of trip.
#
And that was probably the first beginnings of my life as a writer, as a sports journalist,
#
as a member of the written press, so to speak.
#
But yeah, almost exploring this sporting landscape in a way I had never done before.
#
As a player, the view is always very bracketed. It's always very narrow.
#
And here I was trying to go as wide as I could.
#
Yeah, that's fascinating. And you kind of brought back memories of my own.
#
Because I remember in 2006, I really wanted to cover India too, to Pakistan.
#
And the typical way of doing that was that you get a freelance gig with an English newspaper
#
because that covers your costs. So I got a gig writing pieces for The Guardian
#
and I did some small audio thing for the BBC while I was there.
#
And my whole thing was I just want to cover the cost of this tour.
#
So it wasn't even like make a profit. Just cover the cost.
#
You want to go, you want to watch the cricket, you want to soak in the experience.
#
So I kind of totally get that.
#
I'm curious about craft here because, you know, one of the...
#
And I don't want to embarrass you with praise, but you know, where you are as a writer,
#
just looking at sort of your work over the last year, you don't get there overnight.
#
You don't get there. You know, it takes many, many years.
#
Like I look back on my own sort of progression as a cricket writer
#
or many of the young writers that I've worked with that, you know,
#
when you're young, you're trying so hard to impress.
#
Sometimes you're overdoing the style, so on and so forth.
#
It takes time for you to find your voice, to find the confidence,
#
to find that terror where you can just sit back and do what you have to do.
#
So, you know, how did that craft evolve in your case?
#
Because I have to apologize and say I haven't read your earlier pieces
#
from when you started writing.
#
I've just read what you've done over the last year or so, and it's fantastic.
#
And there's one quality that I noted in your work that cuts across
#
not just your writing, but also your YouTube work,
#
which is that you're not trying to impress.
#
It's very straightforward. It is what it is.
#
There's no added artifice to that, you know.
#
So is that, again, something that is kind of natural?
#
Is there a moment where you say that you kind of have to work at that moment
#
if you get what I'm saying?
#
So I'm very curious, like you did my writing course as well, for example.
#
You're clearly a person who wants to get as much sort of exposure
#
to different aspects of craft and thinking about writing.
#
Take me a little bit through that journey of yours.
#
I think to answer this question, I need to go back to my childhood.
#
Please do, yeah, let's go back.
#
And I need to go back to...
#
I mean, my dad used to make regular trips to Mumbai at the time,
#
and we had this custom that whenever he comes back from Mumbai,
#
the first question my younger brother and I would ask him,
#
He has to come back and he has to bring us a gift,
#
which still in our family is called the what you got for us gift.
#
And very often those would be books.
#
Very often he would bring back your Nancy Drews and your Hardy Boys.
#
There was no end of Enid Blyton's littered around my childhood.
#
There was this memory of spending so many months reading Lord of the Rings,
#
and our entire family was reading it.
#
And it would just be situated in our bathroom
#
because unfortunately we have a lot of people who used to read while in the toilet.
#
And it is this kind of, maybe just an extension of that environment
#
where English was emphasized at a young age.
#
Therefore, reading was also emphasized at a young age.
#
And I read exclusively fiction at the time.
#
I found non-fiction boring.
#
And it is interesting, recently someone put out a quote on Twitter saying that
#
non-fiction greater than fiction.
#
I was like, yeah, maybe.
#
I mean, non-fiction might be what I read now
#
and what I find really helps me level up in whatever I am doing.
#
But I spent my entire childhood reading exclusively fiction,
#
reading like fantasy, a little bit of sci-fi here and there.
#
And maybe that's what ingrained a sense of storytelling in me.
#
Because I didn't, like I said, I did a BSc after my graduation.
#
I played cricket for 15 years.
#
I have no formal education in writing.
#
My education is just my childhood, my experiences, the fact that I like to read.
#
And once in a while, I will take the effort of reading an autobiography
#
and those are the kind of books that interested me at the time.
#
So, the evolution of the craft definitely starts from the reading habit,
#
which is just a part of my childhood
#
and again, unconsciously has helped me in being a writer
#
and being someone who is able to make a living from writing today.
#
And beyond that, I remember reading a lot.
#
Like I said, that phase when I discovered Twitter
#
and suddenly discovered there is so much to read
#
and I suddenly discovered that there are so many writers
#
who write about cricket and think about cricket.
#
And like I said, they have from the media a very different background
#
and a very different view
#
and me as a player, I am reading that view
#
and suddenly I think their view is so much,
#
I wouldn't say wider or larger, but just different.
#
It is just so different as someone in the media
#
and someone as a writer
#
and really good pieces of cricket writing at the time.
#
And again, most of my reading has been restricted to cricket
#
and this is something I am consciously trying to do nowadays,
#
is read more about other sports and what not.
#
But at the time, Osman Sami Uddin,
#
Jared Kimber is writing some really funny irreverent stuff.
#
All those are kind of probably influencing that.
#
Very early on, I discovered this quote,
#
Copy technique, not style.
#
And I actually started doing that.
#
I was like, okay, this person is writing this nice piece.
#
What technique are they using here?
#
Not consciously, but unconsciously.
#
I wasn't actually trying to name the technique.
#
I was just trying to say,
#
okay, can I write a piece which is something similar
#
to what this person is writing?
#
And for the longest part,
#
I had no idea what these official journalistic terms were.
#
I had no idea what an opinion piece was.
#
I had no idea the difference between a feature and a stew,
#
and a report, and a reported piece.
#
I had no idea what a news peg was.
#
Again, these are words that I discovered
#
when I kind of got into the field
#
and I had to kind of overcome my ignorance and ask,
#
Those are the kind of things, those are the ways I learned.
#
Being a freelancer had its advantages
#
in terms of being kind of on the outside
#
and therefore not being insulated into any one environment.
#
At the same time, I missed out, I think,
#
on these constant exposure to these really good writers,
#
which I think sometimes being in an organization gives you.
#
in the process of building out my sports journalism course,
#
I went back and read a few of my pieces.
#
And some of the pieces were like,
#
yeah, okay, good, honest effort.
#
Some of the pieces were actually good.
#
I picked up some old pieces as examples of, you know,
#
writing that I had done which worked well
#
and which kind of still holds up.
#
So, I wouldn't call it talent,
#
but I would call it a culmination of the environment
#
where A, English was emphasized,
#
B, reading was emphasized,
#
C, education was kind of emphasized,
#
and then add into that my unique experiences in sport,
#
bring a viewpoint that others didn't
#
and therefore kind of giving me a
#
point of difference in,
#
you know, amongst so many other bloggers.
#
No one was writing about women's domestic cricket.
#
No one was writing about,
#
well, not no one, but very few people were writing about women's cricket.
#
So, therefore when someone wrote about it,
#
even if it wasn't written really well,
#
people read it and people shared it.
#
And even if it is just a
#
like a reportee piece on just providing information,
#
people read, people shared it,
#
and therefore I got a little bit of a
#
following on social media.
#
it's only in the process of
#
building out this sports journalism course
#
that I have really thought about
#
what makes me a good writer,
#
what works, what doesn't work,
#
what are the things I tend to use,
#
what are the writing devices I tend to use more,
#
what has contributed to
#
how I have progressed as a writer so far.
#
thing that is an essential element,
#
succeeded as a writer is
#
being brave in terms of what I write.
#
Because, you know, I am constantly
#
almost toeing that line
#
in the cricketing system,
#
but also sometimes having to criticize that same system.
#
like I said, my evolution as a person
#
over the last few years
#
in my professional work as well,
#
where I have more often than not
#
silenced that inner doubt
#
Those are actually two words which I
#
try to remind myself of, you know, courage and truth
#
want to use in the content
#
You mentioned coaching, and
#
one of the things I realized
#
after I taught my writing course for a while,
#
that it in a subtle way changed the way
#
I looked at my own past writing as well.
#
Where, perhaps unlike you, I mean
#
I might like some of my earlier work, but a lot of my earlier
#
work were like cringe max, like what is this?
#
What am I doing? I tell my students
#
not to do this, and I am doing the exact same thing.
#
And it just kind of sharpened
#
the way I look at my own writing
#
been a process with you? Through your
#
multiple sort of coaching
#
lines, or rather your coaching
#
lanes, like one lane of course is sports journalism
#
and writing, there is another lane, which is
#
cricket, where I was going through a bunch of your
#
fabulous videos on batting,
#
right? And it's so intricate
#
and so detailed and all of that.
#
And do you sometimes wish
#
that you had been coached at the start of your career
#
Oh yeah, absolutely. I mean
#
through I mean through the
#
content right now, is that, you know,
#
this information is now
#
something with it. Yes,
#
I mean, having had a career where, you know,
#
didn't really have this one fixed
#
coach moving from influence
#
to other influence, it's
#
not been the driving motivation
#
of what I do, but it's been a
#
part of that, it's been, you know,
#
the thrill of being able to share
#
than in a cricket academy, it being
#
learned, for example, the cricket coaching
#
videos, in a cricket academy,
#
50 people learning it, or maybe 20 people
#
learning it, the 50,000 people learning it.
#
of, you know, the power of YouTube,
#
and I was lucky, fairly lucky enough
#
that I could discover that power pretty
#
much accidentally and fairly early
#
on in the whole creative
#
journey. In terms of the writing part,
#
yes, absolutely, like I said,
#
I've really started thinking about my
#
therefore I've tried to
#
reverse engineer my own process, which is
#
instinctive until now. I would just
#
you know, try and refine them, it's a very
#
crude process, but a very instinctive
#
process, a process kind of
#
part by emotion, because very often
#
I'm not someone who's employed
#
to write every day, so therefore I write
#
when I feel like it, and I have that,
#
you know, again, a lucky
#
situation where I have that.
#
So I was usually writing
#
from a place of emotion, I'm angry about this,
#
I'm sad about this, I'm happy about this,
#
wonderful match played, oh, this
#
could have been better, I wish this was
#
different. Those kind of things usually
#
came across in my writing,
#
and maybe that's one point of
#
connect, and one point of, you know, why
#
so many people. But in terms
#
of the actual process, now,
#
built out that course, after
#
having created a process which other
#
people can take, and, you know,
#
you can apply it to yourself and see
#
now I follow that process.
#
Now I sit down and I go
#
through my own processes and see if I've
#
because this is literally how I've,
#
you know, it's absolutely like how a cricketer
#
that this is your process,
#
results and processes, we talk about it. When
#
this close to your ear, the ball goes
#
on off-stump line. When
#
you tick X, Y, Z boxes in
#
writing, the piece is likely
#
to come out better, cleaner,
#
constantly emphasise, and
#
something that I follow now. Whereas before
#
it was very instinctive,
#
and like a year ago, if you had asked
#
me how you do it, I would not have been able to
#
tell you. I would just like, I write when I'm angry.
#
That's what I would have said.
#
among other reasons. So,
#
you know, one of the things that I kind of
#
talk about in my course and I also
#
draw a cricket metaphor
#
from it is mindful learning and
#
learning that you're just kind of taking
#
by osmosis. So a lot of cricket
#
learning is mindful, where you're, if you
#
go in the nets for the first time, you know,
#
the way your feet are moving, your elbow,
#
the balance of your body, all of that.
#
You're mindful about it later, you internalise
#
it completely, and you don't need
#
to actually think consciously about it.
#
Now, in your case, the learning process seems to have
#
been, and again, a reading habit, I keep saying, is the
#
best way to become a good writer. So
#
a lot of it seems to have come from osmosis,
#
just by reading a lot. You read a lot of great
#
storytelling, and then that translates
#
into the way you write, and you've picked
#
up a lot of good habits without even realising
#
it, and that's not mindful.
#
And then some of it is mindful, especially when
#
we start teaching, you know, you start
#
noticing that stuff mindfully, or if you're studying
#
a writer, you like your reverse engineer, what they've done,
#
and you know, all of that.
#
So, like, I keep reminding
#
myself, though I always say when
#
it comes to reading, that for me
#
there's no difference. I mean, as long as
#
you're reading, I don't care if it's mindful or
#
otherwise, because if what you're reading is something that
#
captivates you, you'll pick up things from
#
it by osmosis. But do you
#
to be more mindful, that we should all be
#
more mindful in terms of craft, of the
#
things that we do, whether it is something in a
#
cricketing technique sense, whether
#
it is something in a writing sense,
#
you know, all of these things.
#
to be mindful, or my recent experience
#
has been, I will try to be mindful about
#
reading or consuming any
#
kind of content, and you know, I
#
teach a multimedia sports journalism course,
#
so it's, you know, videos, podcasts,
#
writing, that kind of thing.
#
So, I keep saying that, you know, whatever
#
content you consume, you're
#
going to pick up something from it, and
#
you should try and actively do that,
#
even if it's, you know, watching your favourite Netflix show.
#
And a lot of these things just
#
come and express themselves
#
in content so randomly.
#
point, something will strike
#
me. Like, recently I wrote a
#
I ended it with this line,
#
when is it okay to drop the alpha,
#
stronger without him? A wolf
#
reference, okay? So, again,
#
where did this line come from? One of my
#
sports journalism students asked me, how did you
#
come up with this line? Game of
#
mindfully watching Game of Thrones, and you know
#
that line in Game of Thrones where the strength
#
of the pack is the wolf, and the strength of the wolf is
#
the pack? That's just what somehow
#
popped up in my mind, and I thought, okay, let's use
#
a wolf reference, that kind of a thing.
#
I was not mindfully watching Game of Thrones,
#
I don't know how, I don't know why, I can't
#
there have been instances where, you know,
#
the content that I have put out, and
#
there have been instances where, you know, stuff
#
just comes so randomly and that
#
sticks with people. So, I would
#
probably say it's a good habit to develop
#
that mindful consumption,
#
who are we if we can really understand,
#
we're not going to pretend to understand how our brains
#
the subconscious level, there is so much weird
#
stuff happening, and when it will
#
be useful and when it will be harmful,
#
God alone knows. Yeah, well said, that makes
#
a lot of sense. Let's kind of talk about
#
your YouTubing now, because I was watching your video
#
about that intimidating video
#
I referred to at the beginning about doing commentary
#
twice a day and all that, and at the beginning, there is
#
this sequence, this montage where you're making
#
filter coffee, and I straight away thought of Peter McKinnon,
#
the YouTuber whose coffee montages
#
are really famous. So, tell me
#
a little bit about what got you into try
#
intend to do cricket stuff or did you
#
intend to do vloggy stuff? Who are the
#
YouTubers that you kind of
#
like? What were the kind of
#
values that you picked up mindfully
#
from people? Like that whole coffee montage,
#
I just looked at it and I thought she must have
#
watched Peter McKinnon, so now you can confirm
#
if that's true or not. But,
#
take me a bit through your
#
early part of your YouTube journey as well.
#
I have watched Peter McKinnon,
#
but I must say that, you know, again, this is
#
the weird, unconscious, subconscious stuff that I'm
#
talking about. I am 100% sure that
#
I did not think about Peter McKinnon
#
probably for a year or so,
#
even while I was making that coffee montage
#
before you brought up his name.
#
Like, I watched his videos probably a long
#
you know, subconsciously, what all we
#
internalize, God alone knows.
#
If someone can figure out the subconscious
#
one day, it will be a very
#
interesting phase. Again, I must emphasize
#
that this was a phase where
#
I was receiving a lot of support from home.
#
and I say that with air quotes.
#
my railway job, you know,
#
much to the consternation of my grandfather
#
who still wants me to do engineering
#
job and a pension. There was a tremendous
#
amount of support from home. I was back in Pune living
#
to kind of, you know, figure it out yourself.
#
I went to Australia for a couple of months.
#
was in a phase of my life where I had a lot of time.
#
You know, I was writing from time to time
#
and that kind of paid the bills.
#
But, it was not my job.
#
I was not doing it every day. So, I had
#
some time in my life kind of figuring out
#
like to do, briefly flirting with the idea
#
This is one of my favorite
#
stories in life about, you know, what
#
can lead you where. Then
#
I started playing Pokemon Go.
#
Again, you know, 90s kid
#
having grown up watching those cartoons and
#
Pokemon being one of those cartoons. This game
#
suddenly took over the world and I was like, okay, let's
#
having no idea how to play it,
#
or maybe went onto YouTube and tried
#
to learn how to play it. And this is the first time I had
#
consciously used YouTube to learn something.
#
Until that, you know, YouTube was a place where I
#
watched trailers once in a while or
#
YouTube was a place where videos
#
I was intentionally watching happened to be
#
hosted. I didn't go on to
#
YouTube to actually watch something.
#
So, this is the first time I'm on YouTube and I'm
#
the US. His name is Nick.
#
His channel's name is Trainer Tips and
#
he's basically making daily vlogs
#
explaining his processes
#
of playing Pokemon Go. He's a Pokemon Go
#
nerd. And I'm like, oh, these videos
#
are cool. And I start playing
#
Pokemon Go. I keep watching his videos regularly.
#
And I think, hey, maybe I
#
that's literally how the YouTube channel started.
#
Happened to get some advice
#
from the person who today is
#
the head of production for
#
my YouTube channel. And
#
he basically told me, use this camera, use
#
that camera. This is fine. That is fine. Just go
#
and do it. And yeah, I was kind of just
#
imitating what I was seeing on
#
YouTube, what I was seeing on, what I was
#
seeing other people do. And at the time,
#
I had just gotten a dog. He was about
#
a year old. And therefore, I was
#
spending a lot of time outdoors with him.
#
I thought, okay, let's... And I'm
#
an outdoor person. I like hiking. I like
#
trip which is taking you closer to
#
nature and that kind of stuff. Even like
#
today, it's a big part of my life.
#
But I think maybe I can make
#
done outdoors. You know, someone
#
talking about cricket but doing it
#
outdoors. Just randomly trying to
#
combine whatever passions I have
#
way possible. So I started making vlogs.
#
If you go back to the first three videos on my
#
channel, they are vlogs where
#
I'm exploring some place and
#
talking about cricket side by side. And
#
this is a time where, like I
#
said, I have a lot of time in my life.
#
Well, I have more time than...
#
And therefore, I'm on YouTube learning.
#
I'm learning how to use a camera.
#
I'm on YouTube learning how to
#
shoot. I'm on YouTube, most of
#
all, most important of all, learning how to edit my
#
own videos. Again, I am a
#
BSc graduate who played cricket
#
for 15 years, worked in a government office,
#
have zero idea about all this
#
technology works. And suddenly YouTube
#
is teaching me all of this. I was like, oh,
#
this is so cool. And that
#
process of learning and
#
I've learned, it gives you a little bit of a
#
high. It gives you a little bit of a
#
sense of satisfaction. This is that
#
Maybe everyone nowadays finds
#
this very normal, you know, having a YouTube channel and
#
doing all this. But 2016,
#
I remember going to the YouTube
#
office and the head of YouTube
#
India or head of YouTube sports,
#
I think head of YouTube India, he's like, oh, I remember
#
in 2016-17, you were the only
#
channel who was doing this. And it happened
#
to be so. I was, you know, happened
#
to be one of the first people who discovered that
#
this process of learning and this process of creating
#
using what you've learned on YouTube
#
is fun. And so therefore, I was just
#
the fourth video I made, I thought, let's
#
and let's make a video on how to choose a
#
bat. So that was the first how to
#
I made that video. It's still in a vlog
#
style because that's what I
#
liked to do. And I still like
#
hardcore tutorials. But
#
I made that video and it kind of exploded.
#
And suddenly my channel has
#
4,000 subscribers. I'm like, oh,
#
there's something here. So let me
#
think about it. Let me try and do it seriously.
#
that's kind of how YouTube started.
#
And you have, I think, more than 300,000 now
#
or something like that? Some
#
2,80,000 right now. Okay.
#
So like one of the things I noted, which I
#
alluded to earlier, but one of the things I noted
#
as it is now from the recent videos that I
#
watched is the lack of self-consciousness.
#
Is that it's just, you know,
#
you're not overthinking it. You're not trying to be
#
too stylized despite the filter
#
almost like what you see is what you get. And
#
you know, one of the sort of
#
the things that I say that creators
#
should pay more attention to and should
#
cultivate. And that's an important quality. It's just
#
authenticity in terms of being authentic
#
to who you are. All the creators I
#
enjoy listening to in podcasts or watching
#
on YouTube are just authentic to who
#
whatever the subject might be of the podcast
#
or their particular video, whatever,
#
I'm really watching it for them. I've kind of got
#
on a comfort level with them. And therefore
#
that's why I'm there. That's why I'm hooked.
#
That's why I'm kind of going there.
#
So, you know, again, is this something that
#
was there from the start? Or is
#
it something that you kind of evolve
#
to? Like did you, was there a time where you
#
were overthinking it? Was there a time
#
you thought more stylistic takes were
#
figured out that this is the easiest way to do
#
it and not to overthink it and
#
I don't think that's completely what
#
it is. Like, for example,
#
that video that you mentioned, The Day in the Life,
#
you know, it starts with me really
#
you're not trying too hard to make yourself look
#
good, which is great, which is
#
yeah. And in that video, I was
#
consciously doing that. Like, literally, I decided
#
first thing in the morning, I'm going to film.
#
But while watching it back, I was like, Oh God, that
#
looking at it and thinking, Oh, there's like a weird
#
curly hair sticking out here.
#
been better and that should have been better. And when I'm filming,
#
There is absolutely, I mean, it's kind of
#
become part of my job, presenting.
#
If you meet me outside of
#
YouTube, I'm definitely
#
going to talk differently. I don't have, I have
#
a script, for example, on YouTube.
#
Usually, I'll have a fair idea of what I want to
#
I'm not, you know, this
#
absolute authenticity person.
#
But at the same time, as a person,
#
person who worries a lot about
#
a person who, you know,
#
I've never been into makeup.
#
In fact, that's one of my worst,
#
that's one of the things I like the least
#
about, you know, having to sometimes
#
work in TV or in a studio,
#
amount of makeup that they put on
#
us. I've never been someone who
#
consciously gone out of the way
#
to dress in a certain way.
#
Usually, I'll just be most
#
comfortable in what I'm most comfortable.
#
And I think that comes across.
#
you know, even stylistically
#
with a first thing in the morning
#
shot because that's what it's supposed to be. It's a first
#
thing in the morning shot. But if it's supposed to be
#
a shot where I'm really trying to
#
look, which is still me, I
#
will do that. I will put in the effort to
#
so presentable. And there
#
is a certain amount of,
#
I mean, off camera, I'm slightly different.
#
the best way to describe it.
#
Yeah, no, I get what you're saying that, you know,
#
like even the intros to my podcast
#
for example, like in this conversation, I'm just being me.
#
But in the intro to my podcast, I am
#
kind of presenting, but it's also kind of
#
me. It's not contrived.
#
That's a similar thing. So I get what you mean
#
when you say you're presenting and you've got a script
#
and all that. Yeah, I get that. But at the same
#
time, it doesn't feel contrived.
#
I'm not trying to make it not feel contrived.
#
While at the same time, I'm not trying to make it,
#
you know, unless it's a vlog like
#
that, I'm not trying to make it look completely
#
I mean, I will pay more attention to the lighting
#
than I will to hairstyle.
#
That's kind of remarkable because I think
#
that kind of lack of self-consciousness
#
is just great. Like, you know,
#
I'm also thinking of starting something
#
on YouTube and that self-consciousness
#
about just the physical aspect
#
of it is, you know, kind
#
of the biggest stumbling block.
#
Though I know that once I start and I get past it, it's
#
kind of fine. But, you know, audio is easy
#
that way. You don't really have to
#
worry. There I totally agree,
#
which is why, I mean, you know, out of the commentary
#
radio commentary is my favorite
#
because there it's not about what you
#
look like. It's about what you know
#
and how you say it. And
#
probably most natural form of
#
experienced. And that is
#
something that I really enjoy doing purely
#
for the reason that, you know, you don't have to present
#
visually. You just need to present
#
almost intellectually and
#
vocally. So, let's talk
#
about commentary. Like, you know,
#
there are very different views of
#
what good commentary is. Before
#
satellite television kind of took over India,
#
if you go back to the Ritchie Beno School of Thinking,
#
the Ritchie Beno School of Thinking really
#
is that the viewer can see what is happening
#
on the screen. You don't need to describe it.
#
If you have something to say that adds
#
to that, say it. Otherwise, keep
#
quiet. Whereas, you know,
#
the brief on Indian satellite television
#
for the early group of commentators in
#
the 90s was simply that don't let
#
there be a quiet moment. So, you
#
kind of had to talk. You had to sort
#
of fill all the space with the
#
description and that there was a danger
#
there that then you just get banal and
#
you know, all of those things kind
#
of happen. So, when you started
#
what was the kind of brief you gave to yourself?
#
Like, how does one define good
#
commentary? And obviously, it's different on TV and
#
radio because radio, the person isn't actually
#
seeing the action. So, you got to get into
#
that as well. But what was your notion
#
of commentary going in? How
#
did it evolve? How did your style as
#
a commentator evolve? And what did you find difficult
#
and what did you not find difficult,
#
first experience with commentary was probably
#
Australia, where I went
#
around that the someone from India
#
here and since there was subjects of
#
interest in terms of two Indian players,
#
ABC Radio wanted to get some perspective,
#
get the Indian perspective and that was
#
the first time I put on a mic
#
and quite nervous. Luckily,
#
I had the role there of an expert.
#
So, you know, you would usually
#
describe commentators in two roles.
#
One is a caller and one is an expert, where the
#
caller is having to, especially
#
on radio, describe what happened
#
and the expert will have to
#
describe why it happened. So, the
#
first few opportunities that I got were
#
opportunities which were usually, you know, in the
#
break commentary where I could just talk about
#
my experience with women's cricket
#
natural, it felt fairly,
#
you know, okay, I know my stuff.
#
put it across. Like I said, I mean
#
communication in English had
#
always been a strength.
#
So, this was just about
#
overcoming those initial butterflies of, oh my
#
getting started and once I got started,
#
I used to usually get into the flow. So, that
#
for the first time, this was, I got an opportunity
#
to commentate on a challenger trophy,
#
a women's challenger trophy.
#
First time commentating with the
#
BCCI, first time commentating
#
on something that is going up on TV on a major
#
channel like Star Sports.
#
There, the brief to myself was
#
Again, usually I was only slotted
#
as the expert because inexperienced
#
as a caller. In India, the culture is
#
kind of different in TV commentary. The roles
#
mix. A former cricketer
#
can be both expert and caller depending
#
on your position in the roster.
#
role has been of the expert
#
some layer of insight and
#
that was probably one brief I had to myself
#
that, you know, if this is happening, what is
#
the, what is the background story?
#
one area I worked really hard.
#
The whole journalistic training of, you know,
#
that challenger trophy in fact.
#
I got there a day before.
#
I tried to watch practice.
#
You know, I arranged to stay with
#
a friend, hadn't actually got official
#
accommodation that day. But I
#
arranged to stay with a friend, watched practice.
#
The next night, once I checked into
#
my official accommodation, which is the same hotel the
#
players were staying, I went around room
#
to room and sat the players
#
down and had a chat with them. What's
#
your backstory? Where do you come from? And especially
#
the younger players, because
#
I had been retired a couple of years. There were players
#
who I had not played with and against. I didn't know
#
their stories. I had to make sure
#
I knew their stories because like I am the voice of
#
these people. I am the one
#
who's responsible with telling their stories. So I
#
had to make sure I knew those stories. So I went
#
unscheduled, unannounced, hi, I'm just going to
#
take 15 minutes of your time and ask you about your life
#
And that helped. I mean,
#
on a moment where, you know, the
#
caller has thrown to you, Snehal, tell us
#
about this person. And you don't know
#
as bad commentary. It comes across that you're faking
#
it. And if you actually have
#
done the research, then you can
#
tell the stories. And that might have been the
#
brief I gave to myself is that, you know,
#
a, it's your responsibility to tell these
#
stories, b, it's your responsibility to grow
#
is kind of one of the things that
#
later career. I mean, even
#
one of the reasons I got into
#
writing on women's cricket and I did
#
most of my early writing on women's cricket
#
was that no one was writing
#
about women's cricket. And I knew I could
#
and I knew I could make an impact.
#
So the same kind of awareness
#
while going into commentary where
#
if you do this well, it will help grow
#
the game in whatever small way.
#
They are the story. They are the ones who
#
are going to do it primarily.
#
I am just a storyteller.
#
That was kind of the brief I gave
#
had an awareness that, you know, unless
#
both those aspects are in sync,
#
the value of what is happening
#
on the field won't go across to the viewer
#
One kind of strand, one sense that
#
I got through your writings and your
#
videos and stuff was that
#
much of the stuff that you did after
#
actually retiring as a player was
#
driven by your passion for
#
women's cricket in India. Like you talk
#
about how you loved coaching
#
because you didn't get that coaching
#
and now all these girls have access
#
to that coaching. Similarly,
#
writing about the women's game, nobody else
#
is doing it, so you're doing it. Not just
#
coaching cricket, also coaching sports journalism.
#
You're also now not just
#
writing about women's cricket, but just
#
writing about cricket, you know, writing about cricket
#
really, really well. So is that
#
passion still sort of the single
#
driving force that gets you into all of this
#
or do you see yourself as a creator
#
outside of someone who's come
#
as a former player herself? Do you also
#
see yourself as a creator?
#
I noticed that you also got another
#
sideways YouTube channel which is not about
#
cricket coaching, which is just about vlogging
#
and you did a recent vlog about the trek you took
#
and stuff. So was it always
#
a case that you thought that, oh, I'm a creator
#
and I'll do these cricket things
#
or were you driven into these things
#
because of your passion for cricket and
#
then you kind of began to redefine and
#
expand. So what's been your thought
#
process and your sort of
#
the way that you look at yourself?
#
I definitely think of myself as a creator,
#
but this creator would not exist
#
for women's cricket was not there. I mean
#
material that needed an outlet
#
and that outlet happened to be
#
starting with writing and mostly
#
the women's cricket stuff has been conveyed
#
through my writing. YouTube has mostly
#
been stuff where I enjoy this
#
process of, like I said, learning
#
and then applying. Similarly
#
learning and then sharing what you've learned
#
gives you a little bit of a kick or
#
gives me a little bit of a kick
#
and I enjoy that process independent
#
women's cricket or independent of my passion
#
for cricket in general. I mean
#
my passion for cricket is not
#
how to say, indestructible
#
like there will be phases
#
and there was a phase just after the IPL
#
after having done commentary almost every day
#
where I didn't want to watch cricket for
#
one week, but there I still might
#
feel like, you know, I might be able to make a
#
video or I might be able to do other stuff.
#
definitely existed first
#
and then the outlet for it
#
has probably defined me as a
#
if you ask me what I will
#
want to and be passionate about creating
#
it will always be something related to
#
growing the game, growing the women's
#
you could say, doesn't really have a lot
#
of women's cricket. You know, I might be writing
#
on women's cricket, yes, but I might be writing on
#
other cricket also. I might be doing YouTube
#
videos on cricket in general and where 80%
#
of my viewers are boys, but
#
in the background there are projects running where
#
I'm thinking how can I make an
#
impact on this game? How can I
#
help the Indian team win
#
a World Cup? How can I help
#
players get a better deal?
#
Those kind of things always occupy
#
space in my mind and they may not always
#
find a creative outlet, but
#
there will be something or the other
#
running and again I'm very lucky
#
make a living from this kind
#
of thinking, just thinking about the game and
#
trying to find solutions for it
#
which I really appreciate and
#
remind myself to be grateful for.
#
thinking process and that
#
the problems that I see in women's cricket
#
has not really gone away
#
and that's probably what is
#
then driving and expressing
#
So let's talk about women's cricket
#
and I almost feel hesitant
#
talking about women's cricket particularly
#
because I don't want to slot you as someone
#
who writes about women's cricket because
#
like I said, I just love your writing, you're one of my favorite
#
cricket writers, but women's cricket is simply
#
one of those subjects which not enough
#
people have that kind of depth of knowledge
#
about or sort of talk about.
#
Most Indians are kind of
#
saturated with the regular men's cricket that happens
#
out there, but know nothing about women's
#
cricket per se. And you've
#
written this wonderful report
#
called An Equal Hue along with Karuna Keshav
#
and the late Siddhant Patnaik.
#
And let's kind of talk a little bit
#
about that because I love reading that paper
#
in the sense that it laid out
#
in great detail across all these
#
different categories, not just what
#
is wrong with women's cricket but what can be
#
done to improve it and just as a
#
vision document and as a
#
taking stock of where things are, I just found
#
it eye-opening in many ways.
#
So tell me a little bit about
#
what it involved, like, you know,
#
why did you write that? What was the impetus
#
behind it? Like I know you were one of the
#
I think three journalists present
#
during the 2017 World Cup final. I think Karuna
#
was also one of them. So what
#
was the impetus which made you decide
#
that this is something that needs to be
#
done? Did you feel that there was a
#
serious audience for it, not audience
#
in terms of eyeballs but in terms of people
#
who would act in the board who would actually do
#
something about it? Tell me a little bit
#
about what led you to the report and
#
the fact that the third journalist
#
World Cup was Siddhant.
#
So the three of you. Yeah, so, and
#
that was kind of where it started
#
because the two of them were working
#
for Wisden India at the time. I was freelancing
#
were the only ones who were travelling
#
Cup in entirety. Then after India
#
reached the finals, a lot more media coverage
#
swept in which was great. But
#
I must really mention here
#
the influence that Siddhant also
#
had in this entire project.
#
That was the first time I actually
#
spent time with him. I'd met him once in the
#
Wisden India office but we
#
were housemates on that tour. So
#
we had the same schedule so we basically
#
had planned our accommodation and our travel
#
etc together. We chatted so
#
much about women's cricket and of course he
#
was, I mean, not there just because he was working
#
with Wisden India even before that.
#
In all his time he had,
#
he and Karuna had put up
#
a huge body of work on women's
#
cricket. They were one of the few people who were writing
#
about domestic women's cricket, international
#
women's cricket before 2017.
#
Remember 2017 is the moment where
#
women's cricket became cool again
#
and I'm always going to have tremendous respect
#
for the people who were putting in a lot of work behind the scenes
#
before that. And Siddhant was one of those people
#
and he has a sister who
#
a lot of similarities between her and me.
#
This sporty kid, always
#
not afraid to play with the boys, standing
#
out and there was always this
#
desire to kind of make the world a better
#
place for people like her
#
kinship with the underdogs
#
whether it's domestic men's
#
women's international cricketers. And so
#
2017 World Cup final, even for that final
#
the three of us were sharing a house together
#
we kind of grieved it in that
#
my filing at some ridiculous
#
match just collapsing in the kitchen and crying
#
I mean that was the time where the emotion
#
finally came out that you know, we were
#
so close and we lost by
#
nine runs. And after that
#
we kept talking, especially
#
Siddhant and me about what we can do
#
What we can do to try and make it
#
better. So I mean for a start
#
we decided okay let's compile our suggestions
#
for whatever it's worth and we made
#
which had some excellent suggestions.
#
I mean even Siddhant had really put in
#
you know, he had event management
#
background so used that kind of
#
a background to draw this up.
#
He happened to speak to
#
Nandan Kamath who you've had on your
#
has founded something called the Sports
#
Law and Policy Centre which is a body
#
which is dedicated to kind of publishing
#
almost a body of work on that particular sport.
#
So Nandan really encouraged us
#
to widen and deepen the scope
#
of the report and make it you know
#
document where anyone who wants to
#
have any kind of influence in
#
women's cricket can read this, get an idea
#
of where they are, where
#
the action areas are required.
#
set about that. During the course
#
Siddhant's sickness got
#
he didn't survive. After that
#
I asked Arunya to come on board
#
and the two of us kind of finished that work
#
of the lockdown actually when we both got
#
a lot more time so a project that was kind of
#
in the making for three years
#
We based it not just on our own experience but
#
350 state cricketers so
#
who were really generous with that time
#
which again like the sense of community
#
within the women's cricket circuit
#
volunteered to fill up this survey
#
because again there was a lot of goodwill
#
built up by Arunya and Siddhant also in the
#
process of writing their book.
#
So when they knew that they were involved in this
#
they were a lot of cricketers participated
#
very actively. And this
#
the EqualHU report which was published
#
action that needs to be taken
#
next. It's a document that analyzes where the
#
gap areas are. It's the document that
#
really says that you know okay if
#
anyone whether it's the BCCI
#
whether it's a broadcaster whether it's some
#
NGO who wants to do good work or whether it's
#
a corporate who has CSR funds
#
they would like to use it to help women's cricket
#
grow. These are the areas where
#
you can start. This is the way where you can make an
#
impact through the recommendations that we've made.
#
Along the way you know we've also
#
had this sense of okay now we've done this analysis
#
therefore it's moved into action
#
and we've formed Karunia
#
myself. People at the Sports Law Policy
#
Centre have formed the EqualHU project where
#
we are trying to fill some of these gaps
#
couple of the gaps that we identified were
#
about women's cricket you know. If a women's
#
cricketer is sitting in Katak, Bhuvaneshwar
#
Dharamshala, do they know
#
the pathways in their state? So
#
Karunia really headed a project which
#
compiled information for each
#
state of you know what the
#
existing pathways in that state are
#
how a woman who's interested in
#
cricket, a girl who's interested in cricket can find
#
cricket near her, what the
#
state association processes are
#
what their phone numbers are wherever available
#
whatever information is available has been
#
put together in a website on the
#
aiming to fill up that information
#
really hard on publishing an audio book
#
where there's a women's cricketer
#
as a central figure in it
#
for 5 to 8 year olds or 5 to
#
10 year olds. So the next generation
#
should grow up with women's cricketers
#
in their consciousness. So that's
#
some of the projects that the EqualHU project is
#
working on. Like I said there are projects
#
in the background that we are working on. We have
#
and we are reaching out to various brands
#
to partner with them on these plans
#
to just support the ecosystem
#
more and more be it through scholarships
#
be it through tournaments and that's I think
#
the big opportunity and
#
something that I hope really
#
allows us to make an actual
#
impact on the ground because there's
#
only so much you can do is what I've discovered
#
but you know can we actually
#
make an impact on the ground
#
through our projects. That's the
#
You know the hope has been
#
voiced by many that the 2017
#
World Cup final with all the viewership
#
that it got and so on. The World Cup in fact
#
not just the final with all the viewership that it got
#
could be something like the 1983 moment
#
But my question is you know I think in
#
the life of any sport or any
#
transition from where early
#
on all the people who care about it deeply
#
and are making initiatives are people who are just
#
passionate about it and are motivated by that
#
passion and that's what driving them.
#
And then the next phase that comes
#
is when it crosses a certain tipping point
#
and people are instead motivated
#
by commerce. You know so people
#
begin to do things for women's cricket because
#
they feel there is a market for it
#
and then things really improve then
#
infrastructure improves then all of
#
these things you know like you've got
#
a section where you speak about barriers to
#
participation which include cultural barriers
#
physical barriers financial barriers
#
then those start to disappear.
#
You've got a section where you talk about domestic
#
cricket and the grassroots and how
#
the ecosystem there can be much better
#
start to vanish. So how close is
#
that point? Have we reached that point? Have we crossed
#
that point? Is it still somewhere in the future?
#
the game is sort of evolving
#
in that sense because it is true
#
that women's cricket is much more in
#
the consciousness of a lot
#
is there enough women's cricket
#
happening? Are they watching it actively?
#
What's the ecosystem like
#
beneath the elite game? Give me
#
a little bit of a sense of that.
#
answer the driven by commerce
#
women's challenge that happened
#
where it involved three teams
#
alongside the men's IPL of
#
was the first tournament to attract sponsors.
#
It was the first tournament where Jio
#
came on board as an independent title sponsor.
#
I mean it was very prudent
#
and smart of the BCCI to not just
#
piggyback it along with the men's
#
tournament and the men's sponsors and identify it
#
as a separate property and see what
#
value there is for this property and
#
board as title sponsor and then all the IPL
#
supporting sponsors came on board
#
for this women's T20 challenge as well.
#
Wonderful opportunity for you to get branding.
#
Wonderful opportunity for you to get exposure
#
treasurer I believe said after that tournament
#
is this is now financially sustainable
#
which I take to understand that
#
it paid for itself broken
#
if that is the bare minimum
#
it's a wonderful starting point to be because you can
#
So I think commerce wise that
#
is where the Indian team
#
it's hard to define a separate value
#
for the Indian women's cricket team because
#
how do you define value of a sports property
#
What kind of money is being paid
#
by broadcasters to showcase this property
#
which reflects how many advertisers are
#
willing to put money behind
#
this kind of a product. It's hard to
#
gauge right now because the women's
#
international matches are
#
bundled in to the men's
#
with you know the under 19 World Cup
#
or those under 19 teams same with the
#
shirt sponsorship. The shirt sponsorship
#
for the men's women's and
#
under 19. Whereas I think
#
now in the next cycle which is 2023
#
case there is a strong case to
#
separate property. Let's say women's cricket
#
is sold at a separate property
#
it will earn you I mean
#
by separating women's cricket the overall cost
#
of the men's rights is not going to come down
#
might earn you you know
#
some amount of money it's not going to be in
#
the range of what the men's rights are going
#
to earn you but it will earn you some
#
amount of money. That will put a number
#
on the value of women's cricket
#
and that is something I look forward to
#
happening. There is also the fact that
#
if you look at a women's cricket broadcast now
#
for example on these OTT apps
#
that by how many of these
#
are off the OTT platform itself
#
for example if it's on Hotstar
#
in the breaks how many Hotstar
#
ads are you seeing because that is time
#
where they haven't been able to
#
sell it to an advertiser so they put a Hotstar
#
ad there. So if you see a lot of
#
Hotstar ads it means that this property is not really
#
valuable. What I've seen is
#
tour to Australia there were a lot of ads
#
for the women's tour to Australia
#
there were ads by brands, very few ads
#
by the broadcaster who was Sony
#
sponsors for this series
#
there was also investment by the
#
broadcaster in building up
#
this is for away series Hindi, Tamil
#
for broadcast for the women's series
#
Feed English commentary that they carry which
#
they stand in terms of commerce
#
in terms of the underlying structure
#
so much that could be better
#
I mean we talk about the strength of
#
domestic cricket for the men
#
and the finishing school
#
that is the IPL and the India
#
time ago for the men's in men's
#
cricket we used to compare Australia
#
as a better domestic system
#
why because they have only eight teams
#
whereas we have some 30
#
35 teams and we are diluting our
#
fierce therefore the players are not
#
battle hardened when they come to international cricket
#
what is changed I mean we still have
#
30 35 teams but now we have an
#
India A program now we have an IPL
#
so I mean for me it's just common sense
#
to say that you know apply the same
#
model here we have 30 35 teams playing
#
domestic cricket please have
#
an India A program please have an under 19
#
program please have a women's IPL and
#
just see how you know other
#
countries are scared of India getting it right
#
because of just the sheer number of
#
players that we have even despite you know
#
not really trying a few
#
moves which have bewildered
#
me in the last few years have been
#
interzonal tournament so from
#
these 30 35 teams you are picking talent
#
directly putting it in the challenger trophy and
#
sending it to international level of course
#
they are going to find that jump slightly
#
difficult the interzonal
#
level was what gave them a little bit of a
#
stepping stone I would love
#
to see that tournament come back besides the
#
fact that it just gives more match days
#
to the players again they play
#
nine months of the year training and play
#
about four or five matches ODI four or five
#
matches T20 if you don't qualify for the next
#
stage that's it domestic season over
#
and what was your other question about the
#
underlying structure or
#
I'll come back to that just to follow
#
what you said obviously makes sense that if you
#
unbundle the rights you get a proper
#
women's cricket really stands and therefore
#
the risk of underestimating it is
#
no longer there you know is it then a
#
problem that BCCI is running
#
both aspects of the game because obviously I
#
you know both men's cricket and women's cricket
#
because I get it that in 2006 with all
#
the resources they improved a lot
#
of things they can't take
#
a lot of the abundant money from the men's game
#
and you know use it to give the women's
#
game a leg up but if I just think of
#
incentives within the BCCI their
#
huge cash cow is the men's game
#
all their thinking all their organization
#
or work it's natural for
#
it to kind of go there so was
#
it perhaps better earlier in
#
just in terms of incentives that
#
if you have a body where you know
#
your job is women's cricket it's nothing else
#
that's all you do that's your incentives that's how
#
you will be judged it's a separate product
#
it's a separate property you know so
#
do you see that as a structural
#
really take women's cricket that seriously
#
This is an interesting line of
#
thinking and it's something that
#
the cricket historian in the UK
#
Raff Nicholson has researched
#
quite a bit she's actually I think doing
#
kind of got absorbed by the
#
ruling existing men's body
#
and like I've said there are a lot of things that
#
you know change for the better and there
#
are some things that change for the worse
#
if you really go that cold
#
I am trying to put my passion for
#
women's cricket aside think about
#
think about it in terms of you know can this
#
earn me revenue is it worth
#
of money and will I get
#
no initially it's going to be
#
something that requires a lot of investment of time
#
and money to grow but the
#
potential of women's cricket as a property
#
I think is something that
#
of think about it in terms of doubling
#
draining your resources
#
one thinks about it like that we've seen
#
just grown into its own
#
cash generating revenue generating
#
property in other sports
#
we've seen the success of the women's
#
big bash league we've seen
#
the popularity of the US
#
national women's football team
#
we've seen PV Sindhu as
#
you know a female sport icon
#
although team sport I'll probably
#
should probably take more examples from team sport
#
is enough to suggest like
#
where sponsors came on for just
#
essentially exhibition matches
#
there is enough to suggest that there is
#
value in putting in this investment
#
for four or five years there are
#
incentives to put in that investment
#
for four or five years think about it from
#
an IPL team okay suppose an IPL
#
team wants to or you know what are the
#
incentives for an IPL team to
#
start a women's cricket team one is that
#
your IPL is only a two month
#
double that for a small investment
#
getting involved with the women's IPL will require a
#
smaller investment than it was for a men's investment
#
you're doubling your branding
#
suddenly because if you have a
#
women's IPL even if it's a one month tournament
#
separate from the men's IPL window suddenly
#
from two months of visibility you've got three months of
#
visibility I think those are the incentives
#
choose to see them if you choose to look at
#
yeah no I completely agree with you
#
that women's cricket in the long run
#
is an enticing commercial
#
prospect as well the worry
#
BCCI's point of view the whole focus will
#
be men's cricket IPL there's just so
#
much money there that they may not bother
#
about this per se whereas
#
you know that's kind of the worry
#
so a couple of final questions
#
I know I've kept you talking for a long time
#
final questions one of the subjects on
#
which you've written and spoken passionately is
#
IPL elaborate on this a bit because
#
for me when the men's IPL
#
happened and I remember there were critics of it
#
before it started and I wrote a long piece
#
in Crickin for kind of talking
#
about the wonders it would do and even I
#
underestimated them but the
#
wonders were not just in a commercial sense
#
I just felt that culturally it would have
#
a big impact in terms of giving many
#
more players a livelihood
#
making the field much more competitive where you don't
#
have the monopsony of the BCCI as the
#
only buyer for your services within
#
this artificial environment you have 8 people
#
competing to get talented
#
cricketers to build talented cricketers
#
people making a living from the game you have
#
kind of living from the game so
#
just culturally it kind of changed everything
#
your case for a women's IPL
#
sort of thing happening if it's just allowed to
#
exist because like I said it would take a fraction
#
of the investment of the male IPL
#
and I'm pretty sure people would
#
one point on the previous
#
question is that you know if
#
the BCCI can almost have
#
focus completely on men's
#
cricket it's not outlandish
#
build up a dedicated women's cricket
#
section and give them a budget
#
and say okay we're not going
#
to pay attention to you at all do whatever you
#
want which would almost kind of
#
be an ideal case scenario for many
#
fans of women's cricket where you know you have
#
a decision maker with some actual power
#
using a budget given by the BCCI
#
which is kind of the best of both worlds
#
to come to the IPL question
#
many ways in which I think about
#
value in terms of the broadcast market
#
a successful sports team valuable what made
#
the Indian women's cricket team suddenly
#
a subject of interest and therefore a subject
#
is that performance in a World Cup
#
backed it up with a performance where
#
they reached the final of the 2020 World Cup
#
be acknowledged that even Australia
#
record of you know 86,174
#
a women's cricket final
#
of that for sure is the fact that
#
India were their opposition if New Zealand
#
were their opposition would they have
#
pulled in so many people I'm not sure
#
so which tells you that
#
does well at a World Cup
#
becomes a big property becomes
#
a big financial property for you
#
now what will help the Indian
#
team win a World Cup we've seen the
#
effect with the men's IPL
#
on how it's impacted the performance
#
the international performances of the Indian
#
team that is one of the cases
#
that is one of the strongest cases for
#
for creating a women's IPL
#
because it will help you win a World Cup
#
so you're creating these other maybe
#
you know you're creating these other eight players
#
in the system but it's going to help
#
the big player get even stronger
#
one of the biggest cases where the incentives
#
make this absolutely happen
#
make it grow as fast as possible and make it
#
the number one women's league in the world
#
the other impacts of the IPL
#
are really the human stories that come
#
out of the men's IPL where
#
you have someone like Varun Chakravarthy
#
almost given up cricket working as an architect
#
Indian team itself you have so many of those stories
#
you have Shikha Pandey Air Force
#
officer and Indian cricketer
#
you have someone like Radha Yadav
#
whose father was a vegetable
#
literally like a footpath in
#
Mumbai and now you know
#
through the money that she's earned
#
for the Indian team they're able to afford a flat in
#
stories and the potential for
#
those stories to affect
#
actual social change because
#
you are talking about women in India
#
you are talking about a group which has its own
#
own social obstacles and
#
we've seen that I mean this is
#
a concept that my brothers and I talk about it's
#
very often in a lifetime hard
#
socioeconomic class the class
#
that you are almost born into
#
cricket is a vehicle that allows that cricket
#
is a vehicle that allows you because
#
of the popularity in the country and because of the
#
money associated with the IPL it allows that
#
and I want to hear more
#
stories like that I mean that's my case
#
for a women's IPL I want to hear more
#
stories where Shafali Verma
#
was able to pay for her father to
#
fly out of the country for the first time
#
he is seeing suddenly the world in a whole new
#
generation is just exposed to
#
something completely different because of
#
the social change that I want to be affected
#
you know one way of kind
#
of transforming women's cricket is through
#
top down action of the kind we've been mentioning
#
that the BCCI get it sacked together
#
and even if they have a separate department
#
I think it's kind of a little
#
bit of luck that who will they have in charge
#
will it be a politician or will it be someone from within
#
the game who really cares about it
#
which is kind of an uncontrollable
#
but I totally get it but one of the
#
ways of driving that change is from the top down
#
the BCCI does things they put India A
#
all of that into place all of that happens
#
but the other is also from
#
the bottom up where there is a passion for the
#
game that is coming from the grassroots more people
#
are playing it and supply
#
eventually meets that demand
#
now clearly that wasn't
#
the case say even when you took up
#
cricket in the sense that you point out
#
about how so much of it is kind of
#
happenstance that you know Shubhangi
#
all the pieces kind of falling into place
#
that took you where they were but cultural barriers
#
physical barriers like you talk
#
in your in that report about how you
#
didn't have changing rooms so after a you know
#
grueling session all the boys
#
would just change their t-shirt and go home and you'd be
#
all sweaty and you know you'd put on a jumper
#
over what you were wearing because you didn't
#
want people in the local train to
#
have to tolerate your sweat
#
but now with the kind of
#
the changing profile with the fact that
#
people don't need to physically meet a Shubhangi
#
Kulkarni when they can watch a Snehal Pradhan
#
video on YouTube and get inspired by
#
that or they can even watch
#
like there's a charming talk show that
#
Smriti Mandana and I think Jibama Rodriks too
#
you know and they can watch that and make them
#
do you feel that in terms of bottoms
#
up something happening there
#
that at least there things are changing
#
that happenstance of that sort
#
will no longer be so rare will no longer
#
and just people's approaches
#
you know whereas earlier parents who loved
#
cricket and wanted to live vicariously through their
#
kids might have sent their son to a
#
coaching camp today they'll send their daughter to a
#
coaching camp so what's your sense of the change
#
actually happening in our
#
society in that context?
#
That's a really good question it's probably
#
one that I haven't really
#
thought about before but just thinking
#
think about it about how it exists
#
in men's cricket because that is
#
what the situation is in men's
#
cricket where the demand is just
#
arises that you know there are tennis ball
#
tournaments organized at every
#
little open space you can find
#
because there are people playing tennis ball cricket
#
there who say let's make a tournament
#
in theory yes it will take
#
a long time for bottom up change
#
to happen it will probably take
#
did for India if you think about
#
you know how men's cricket's
#
current situation has developed it's been
#
slow cooked for 30 years it's been slow
#
throughout the entire generation of
#
Sachin Dindulkar worship
#
now into the generation of you know
#
a team that can go abroad and win
#
that's the kind of time
#
I'm talking about that it will
#
take you never know you know there might
#
be an incredible event we
#
you know we underestimate these
#
kind of things there might be an incredible event in
#
women's cricket which just drives
#
relatively speaking overnight
#
you might have like you
#
said supply suddenly turning up
#
because there is so much demand I feel
#
there is definitely a shift in
#
the likes of Smriti Mandhana are
#
such popular figures nowadays
#
and the influence that they are having on
#
the next generation is probably something we
#
only understand once the generation grows up
#
many more ways for people to get
#
first few steps of the journey but the
#
next few steps are still held
#
the base of the pyramid does get wider
#
but then to move up the pyramid you do
#
have to move through a few fixed ladders
#
a little cynical about this because we've already
#
seen this since the 2017
#
World Cup cricket academies
#
everywhere I mean just after the
#
2017 World Cup so many girls turned
#
up at cricket academies
#
but they don't yet have that many
#
fill their appetite and that's
#
I mean thinking back to your
#
conversation with Nandan and Joy
#
I think Nandan was also talking about
#
just creating these tournaments
#
really changes the ecosystem
#
just by virtue of having more
#
opportunities to play I think that is
#
where the demand already exists
#
and the supply needs to
#
step up yeah I guess it's a bit
#
of a chicken and egg thing where the demand exists
#
but it can't express itself in any particular
#
way because there's no supply if you had tournaments
#
you would know how many people are
#
really interested so I guess at
#
some point it you know it's
#
up to creative entrepreneurs and
#
passionate crusaders like yourself
#
to kind of change that so
#
you know thanks a lot for giving me
#
so much time on the show I'm really
#
looking forward not just to what happens in
#
women's cricket but also your journey as a
#
creator which is I think just so inspiring
#
in terms of the kind of
#
output you put out and I'm
#
going to go and watch that video again to
#
kind of hit myself with it and say
#
look how much she does in a day you fool what are you
#
doing so thanks so much Snehal
#
it's been my pleasure Amit
#
enjoyed listening to this episode hop on over to the
#
show notes I've linked Snehal's newsletter
#
and YouTube channels there plus
#
there are many other links to enter rabbit holes
#
through you can follow Snehal on
#
Twitter at Snehal Pradhan
#
you can follow me at Amit Verma
#
A-M-I-T-V-A-R-M-A you can browse
#
past episodes of the scene and the unseen
#
at scene unseen dot I-N
#
thank you for listening
#
episode of the scene and the unseen
#
if so would you like to support the
#
production of the show you can go
#
over to scene unseen dot I-N
#
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#
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#
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